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**Underrated and fun!** This is my favorite Star Trek movie. The whole film bubbles with humour and the music score is fantastic. I love the bookend _'Row, row, row your boat'_ sequences. An emotional and funny film - my favourite goosebumps moment being when Kirk says 'I've always known...I'll die alone". Brings tears to my eyes that part - it really does. You'll have to excuse me, I'm getting emotional thinking about it. It's trendy to give this film a bad review and I am more than happy to be honest and open about ny admiration for this film. If anything, Star Trek VI is the weakest Trek movie - a plodding episode of Columbo in space. _Star Trek V: The Final Frontier_ is a rousing and fun movie. - Ian Beale
_**At the end of the day, it entertains**_ This 1989 entry in the Star Trek film series was an earnest and noble effort by William Shatner, who directed and plotted the film, to tackle a subject that only he and Star Trek would dare attempt. Unfortunately it's become law in Trekdom to pick apart this film as a turkey of astronomical proportions; consequently a sort of bandwagon phenomenon has developed amongst the cookie-cutter fundamentalist Trekkers who have somehow failed to evolve to the level of independent thought. (They're no doubt still mad at Shatner for telling them to "get a life"). In fact, it's become such a cliché to hate "Star Trek V" that it has become the "Spock's Brain" of the feature films. I disagree. While "The Final Frontier" certainly has its share of flaws -- the story goes over the edge into the realm of goofy camp at times and some argue that the F/X are possibly the least of the feature films -- it remains an entertaining picture. Besides, Star Trek was never about great special effects (disregarding the triumphant "The Motion Picture"). It's about people, their joy of living and their grand spirit of exploration; this is what "The Final Frontier" is all about and it scores high marks in this regard. No other Trek film showcases the character interplay of the Kirk/Spock/McCoy troika to the level of intimacy shown in "The Final Frontier," and only "The Voyage Home" exceeds the joyful energy of the characters displayed here. As far as the spirit of exploration goes, "Star Trek V" surpasses all other Trek adventures; after all, no exploration is greater than the quest for ultimate reality and the Creator of all. It touches on many important themes: personal pain, healing, faith, family, love, fanaticism, the desire to know ultimate reality, God, false beliefs, loyalty, repentance and forgiveness. Name another film in the series that addresses so many weighty topics and yet remains entertaining. The film was actually doomed with critics and Trekker fundamentalists the moment it was disclosed that Shatner would direct it; the knives hit the sharpening stones well before it was ever released and once the buzz got out that it was a bad film a feeding frenzy ensued. It would have been better received if Shatner had directed the film anonymously and if it were released after "Star Trek III." As it was, it came out on the heels of "Star Trek IV," arguably the pinnacle of the feature films. If "The Wrath of Khan" had come out after The Voyage Home it would have been deemed a mediocre affair. The bottom line is that "Star Trek V" is a solid and extremely original Trek outing, equal parts amusing, thought-provoking, wonder-inducing and heart-warming; it possesses a wealth of quality scenes and has an interesting assortment of colorful characters who unite together for the ultimate discovery. Its best character is Sybok, played excellently by Laurence Luckinbill. Sybok isn't really a villain at all, but rather a rebel Vulcan who rejects Stoicism and develops a compulsion to heal people and find ultimate knowledge. His mistake is allowing this compulsion to assume the creature beyond the Great Barrier is God, which it obviously isn't. Of course the film would have been more successful if the studio hadn't repeatedly cut the budget the closer the it came to completion, thus robbing Shatner (and us) of his original vision. As it is, the climax is serviceable, but also missing something. Regardless, "The Final Frontier" is an entertaining Trek romp, if nothing else. Thankfully it offers much more. Personally, I'd view it in any day before "The Wrath of Khan." By all means, watch it again for the first time. The film runs 1 hour, 46 minutes. GRADE: B
I know, I know, I know, please don't hate me. Please. But, this came out in '89, my parents were busy, they dropped Heath and I off at the theater and didn't come in with us, and, yeah, that happened a lot growing up, but this was the FIRST STAR TREK MOVIE I GOT TO SEE BY MYSELF. And, really, it sort of became MY Star Trek movie. Not the ones I shared with my father, but MY Star Trek. And now when I watch it, yeah, I realize how bad it is, but it sort of has that landmark feeling of being my own Star Trek film... so I can't give it the horrible rating it deserves. But... yeah, I know it sucks.
A coven of vampires have hatched a deadly scheme - kidnap college students and hold them for ransom. Led by the unconventional Master Vampire, the coven decides to use the ransom money to move to Transylvania and finally live in peace. However, Doctor Van Helsing is hot on their trails, and a woman scorned seeking revenge against the vampires may just boil over into a thrilling conclusion that has to be seen to be believed.
After a nuclear war, four warriors from Earth awaken on a space ship. Unable to determine what purpose they are there and, above all, who rescued them, panic breaks out. The young scientist Lee and his attractive colleague Susan face the killer aliens in a bitter struggle for the survival of mankind.
In the middle of the next century, a spaceship loses its bearings, and the commander of another space crew, seemingly on a routine check flight, decides to investigate. The result is an unusual suspense adventure.
Eight space cargo-ships disappear without a trace within three days. And the orbit station "Margot" has suddenly fallen silent. The space council is faced with a mystery and the scientist in charge, Maria Scholl, sees no other solution than ordering a total flight stop to this mysterious sector of space. Her colleague, Prof. Tal seems to be suspicious since he knows things before they are even released. A forbidden look into his personal file brings to light that Tal was part of the Eolomea project that never found approval of the commission in charge.
A retro '70s vision of the future, IN THE DUST OF THE STARS was made by the DEFA film studio. A radio signal attracts a team of astronauts to a mysterious planet. Once there, they are warmly welcomed by an alien race, but are soon suspicious of what is really occurring on this strange land.
A doctor and his family receive an unexpected delivery from an old friend at their remote country home - a large wooden crate containing a gun, a female zombie and an instruction sheet telling them not to feed her meat. The family is concerned, of course, but she seems harmless enough. Perhaps she can help clean up outside?
Two brothers turn against each other when confronted with the possibility of getting millions of dollars found in a stolen armored car.
A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.
An interstellar teleportation device, found in Egypt, leads to a planet with humans resembling ancient Egyptians who worship the god Ra.
As the heir and current marketing director for one of the nation's biggest gun manufacturers, Liberty Wallace is indifferent to the atrocities made possible through her business and her CEO husband, Victor. On her way to see her actor lover, Liberty ends up chained to a food cart full of explosives - all at the insistence of "Joe", a sniper whose young daughter was a victim of gun violence, and who now has Liberty in his sights.
Around the year 1000 AD warlike people, the so-called "tjuder", roam in northern Scandinavia. As they brutally kill a family in a remote area, including the parents and their little daughter, the family's teenage son, Aigin, observes the slaughter. He manages to flee from these killers and reaches a camp with other Sámi whose inhabitants are worried if he has been able to hide his track. Afraid of the murderous people, they decide to flee to the coast. The boy stays alone to avenge his family's murder. Unfortunately, they get him before he can do anything and force him to lead them to the other Sámi. He guides them but has a plan to destroy the barbarous people before reaching the camp.