Possessions 2024 - Movies (May 4th)
Tarot 2024 - Movies (May 4th)
Frontiers 2023 - Movies (May 3rd)
Prom Dates 2024 - Movies (May 3rd)
Unfrosted 2024 - Movies (May 3rd)
Something in the Water 2024 - Movies (May 3rd)
New Life 2023 - Movies (May 3rd)
Chief of Station 2024 - Movies (May 3rd)
Breaking Olympia The Phil Heath Story 2024 - Movies (May 3rd)
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Hold the Front Page - (May 4th)
Batwheels - (May 4th)
The 11th Hour with Stephanie Ruhle - (May 4th)
Terra Nova - (May 4th)
WWE NXT- Level Up - (May 4th)
WWE The Bump - (May 4th)
WWE SmackDown - (May 4th)
Lets Make a Deal - (May 4th)
The Price Is Right - (May 4th)
LOL- Last One Laughing Poland - (May 4th)
My Lottery Dream Home - (May 4th)
Mysteries of the Abandoned- Hidden America - (May 4th)
Best Bite in Town - (May 4th)
Fire Country - (May 4th)
The Last Word with Lawrence ODonnell - (May 4th)
Horrible Histories - (May 4th)
Tucker on X - (May 4th)
Hannity - (May 4th)
Gutfeld! - (May 4th)
The Five - (May 4th)
There is a simple enough metaphor running through the heart of this alternately frustrating and picturesque film. It is that love and passion is a nuclear reaction. It can also be a sickness, inspired by this most fear inducing of energy sources. Unfortunately this sickness, while inducing plenty of painful paranoia does not inspire much in the way of imaginative inspiration… Focusing on the unskilled Gary (Tahar Rahim, star of A Prophet, 2009) as he attempts to find a job at a nuclear plant in the Rhone valley, the film can be seen as something of a tale of abuse. Subjecting the young man to gradually increasing doses of nuclear contamination plus mostly outdoor sex sessions with the engaged Karole (Seydoux), the erotic drama meets environmental thriller is certainly original in its main concerns. However, the story begins to pale as it becomes clear that the essential plotting and characterisation does not progress much futher than the sex, paranoia of discovery and inexplicit feeling of possible of racial abuse. side from the film itself, the soundtrack from French film composer and avant garde synth-pop artist Rob is well worthy of listening to. As an extra note of quality it works extremely well within the context of the images of the verdant pastures of the valleys and fields. The film is shot wonderfully well with the French countryside looking perfectly resplendent, as the two lovers meet up for their regular trysts in the shadow of the nuclear plant. But the perfect capture of the valley side can not disguise the fact that the film as a whole is served up slightly confused and luke-warm. By the end the audience could well be wondering what the actual message was.
I'm usually a fan of a bit of Tahar Rahim but there's not really so much going on in this romantic drama. It's setting is novel - it's not often that you find a nuclear power station as the location for a love story. That's where he ends up working, doing some of the constant de-contamination work at the site. Dressed, top-to-toe, in white protective gear when he is not showering or scrubbing his body, he befriends his boss "Toni" (Denis Ménochet) and meets his girlfriend "Karole" (Léa Seydoux). Things all now take a rather predicable turn as they embark on an affair hoping that neither "Toni" nor anyone else will notice. Aside from giving us a glimpse inside their workplace and showing us that it's quite a risky place to work - especially when you get down into the reactor area, the rest is a listlessly directed look at two pretty unlikeable principal characters surrounded by some petty cheats, thieves and liars. Perhaps the power plant was meant to a metaphor for the nature of their relationship? There is a train at the start, hence the title I guess, but there's not really very much grand about this dry, dark and dreary film.
Margarita leaves the famous reporter Marco Matanich, joining her brother and his friends from different Balkan countries, windsurfing on an island. But the wind stops and a beach war-game begins. To prove his skills to Margarita, Marco shoots them in reportage. Quoted by leading media it fires a Balkan conflict, the friends start building national borders between their tents, while Margarita disappears in the open sea.
Three novels - three dramatic stories in the walls of the women's prison. The first story - a brand new, first went to prison inmates. The second - about a mother whose son has ceased to go to prison for visits. The third - about the experiences of women on the eve of its release.
A sickly young woman experiences visions of her dead mother. She struggles to determine if the apparition is simply a side effect of her daily medication, or her mother actually reaching out to her from beyond the grave.
The film is set in 1905, in a time of feverish revolutionary underground activity in Poland partitioned between three neighbours. All the characters are committed anarchists. The bomb maker puts an invention together to place it at the disposal of young inexperienced terrorists fighting against Tsarist oppression. The story follows the passing of this bomb from anarchist to anarchist as several attempts are made on the life of Tsarist governor general, until, at the end, it is effectively and harmlessly defused by a bomb expert. The presence of the bomb has a destroying effect on all of the Polish revolutionaries, they either die or breakdown.
This film is made up of three segments that share no plot but have a general thematic relationship. In the first segment, Virginia and her three children are left by her shiftless husband and she is courted by an old beau who is now divorced. In the second, a divorced woman reacts to some unexpected revelations from her aged father. In the third, a childless, middle-aged social worker is swept into an affair with a young cab driver and finds herself pregnant.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
Young computer enthusiast Liam runs a website streaming video of his every action captured on a webcam. He lives a reclusive life, temporarily staying in a friend’s apartment in Paris until waitress Alison and her British husband, James, move in.
Connie is a wife and mother whose 11-year marriage to Edward has lost its sexual spark. When Connie literally runs into handsome book collector Paul, he sweeps her into an all-consuming affair. But Edward soon becomes suspicious and decides to confront the other man.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
Hanna, 32, is on her way home one late evening when she runs in to an acquaintance, Andreas, 20, who invites her to a party close by. The party consists of five twenty year old boys. At first, Hanna feels uncomfortable, but she’s adjusting. Soon she feels like she’s one of them.