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The First Omen 2024 - Movies (May 27th)
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Motorway Cops- Catching Britains Speeders - (May 28th)
A League of Their Own- Mexican Road Trip - (May 28th)
The Veil - (May 28th)
Fallen Idols- Nick and Aaron Carter - (May 28th)
Britains Got Talent - (May 28th)
Contraband- Seized at the Border - (May 28th)
Next Baking Master- Paris - (May 28th)
Seeking Sister Wife - (May 28th)
Summer Baking Championship - (May 28th)
Restoration Road With Clint Harp - (May 28th)
The Last Word with Lawrence ODonnell - (May 28th)
90 Day Fiance- Love in Paradise - (May 28th)
All American - (May 28th)
Have You Been Paying Attention? - (May 28th)
Inside with Jen Psaki - (May 27th)
The Bold and the Beautiful - (May 27th)
Wheeler Dealers- World Tour - (May 27th)
Fox News Sunday - (May 27th)
MSNBC Reports Andrea Mitchell Reports - (May 27th)
The Chase - (May 27th)
Certainly, Laurence Olivier is superb in this drama, but he is surrounded by a superior supporting cast that lend huge poignancy to this story. He is "Archie Rice", a seaside entertainer who has long since passed his use-by date. His quick witted, slightly risqué and smutty humour no longer amuses the theatre audiences who now require much greater sophistication. He can't adapt though - it's in his blood. As he desperately tries to stay one step ahead of the bailiffs and the taxman, he puts his nearest and dearest through a maelstrom of emotions and trauma. It doesn't help his wife "Phoebe" (Brenda de Banzie) that he is also a bit of a womaniser - usually with younger girls, too. His long suffering kids "Jean" (Joan Plowright) and "Frank" (Alan Bates) try to keep things running as they struggle to make ends meet and stay cohesive as a family. Add to these four, a sparing but super contribution from Roger Livesey as his father - another man who made his living treading the boards back in the day, and what we have here is a telling look at a man who just no longer belongs. Olivier, the actor, turns his hand to stand-up, tap dancing, singing - all standard skills that anyone making a living this way would have needed; and he does it really well. None of the theatrical, method style he is so often famed (and criticised) for. Indeed, I think this is the most natural I have ever seen him on film. He seems to be rejoicing in the role - and that's contagious to watch. It's not a bundle of laughs, we are given plenty of opportunity to dislike this rather selfish, narcissist - especially when he is with the excellent Plowright and de Banzie. Although there is an inevitability to the conclusion, I still felt for this family reaching a crossroads, ill-equipped to fit into a society they didn't recognise nor really want to embrace.
When cocky military lawyer Lt. Daniel Kaffee and his co-counsel, Lt. Cmdr. JoAnne Galloway, are assigned to a murder case, they uncover a hazing ritual that could implicate high-ranking officials such as shady Col. Nathan Jessep.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
A poor Harvard student's romance with a girl hits a rough spot when he realizes, on his 21st birthday, that he's in love with her brother.
In the heart of rural Kentucky, a high school senior and his family struggle to cope with the true identity and intentions of a dangerous town shooter.
A depiction of the conflict between King Henry VIII of England and his Lord Chancellor, Sir Thomas More, who refuses to swear the Oath of Supremacy declaring Henry Supreme Head of the Church in England.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
William Parrish (Sir Anthony Hopkins), media tycoon, loving father, and still a human being, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in a man's body: Joe Black (Brad Pitt) has arrived. His intention was to take William with him, but accidentally, Joe's former host and William's beautiful daughter Susan (Claire Forlani) have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
A history professor and his wife entertain a young couple who are new to the university's faculty. As the drinks flow, secrets come to light, and the middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage.
A teenage orphan girl Salome lives within a sect lead by charismatic and ruthless Maria Åkerblom. During a pivotal summer, Salome is faced with standing up against Maria, the woman who had saved her.
The story is set during the South American Wars of Independence. Simón Bolivar, the liberator, has escaped from Spanish custody with the aid of an idealistic Spanish officer, Captain Montserrat. The Spanish commander, Colonel Izquierdo ('left' in Spanish), threatens Montserrat with torture to find out where Bolivar can be recaptured.