Emmanuel's Gift

Five New York divas close up. The thing that in addition to their friendship links these gifted, confident and beautiful women; a painter, an actress and three musicians, is their shared homeland, former Yugoslavia.

A documentary about the three Woodstock music festivals.

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.

Second in the series by the Maysles brothers documenting the monuments/sculptures of Christo, whose art projects are landscape-scaled, and more "pop" performance art designed to question how we relate to art in the public sphere, especially when it's as oblique, non-political (at least, that is what he would claim), and neutral as running a fence through a landscape.

The Maysles' third film about the artists sees them trying to get three projects off the ground: wrapping the Pont Neuf, the oldest bridge in Paris; wrapping the Reichstag; and surrounding eleven man-made islands in Florida with pink plastic sheets. As the latter is the only one that gets approval, it gets the bulk of this film.

Documentary about conceptual artist Christo and his wife Jeanne-Claude's attempt to "wrap" the Pont-Neuf in Paris.

What began as a video master class evolved into a film about the political documentaries of Oscar-winning cinematographer Haskell Wexler. Comprised of footage from his films as well as interviews, the film is an intimate portrait of the genius behind the camera.

"You are suffering from a mental fragility,” the doctor tells Ahang as she desperately tries to understand why she sometimes feels so terribly sad, as though everything has fallen apart. From the outside, she seems to live a sound and good life. For periods of time everything feels really good. But then it hits her: that horrific panic and despair that destroys everything and presses her down into a deep black hole.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

A brooding, deceptively rich series of near-static shots of farms, factories, townscapes, and—in dispassionate middle distance—people going about their mundane daily tasks in sparsely populated southeastern Oregon.