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A drama centered around Patty Montanari, the widowed mother of two who went to work for her lover Frank Russo, a captain in a Brooklyn crime family.
Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
Tsuruta is a respected tattoo artist working with comrades Machida and Yamashiro. His former boss, who also just happens to be the master who had tattooed the magnificent dragon on Tsuruta’s back, is now a dissolute, bitter drunk living with his son in law and sickly grandson. His daughter, the boy’s mom, is indentured at the brothel run by boss Nakamura and daughter Matsuo. Nakamura’s two faced second in command Amatsu will not let the mother see her son…
Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.
Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
Bavaria's most relaxed village policeman has to face an organized crime syndicate coming after his grandmother's cakes.
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
Italian-American crime bosses Vito Genovese and Frank Costello run their respective families during the 20th century. In 1957, Genovese moves to assassinate Costello.