Les modèles de 'Pickpocket'

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human skeleton, feeding it, dressing and caressing it, taking it for walks in the dark cabaret of an intimate relationship beyond death. She confronts pain and fear rather than repressing them.

The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.

A documentary about film noir films made in Los Angeles.

A darkly comedic, personal testimony about birth control side effects and navigating the inadequacies of women’s healthcare.

Money & Life is an inspirational essay-style documentary that asks a provocative question: can we see the economic crisis not as a disaster, but as a tremendous opportunity? This cinematic odyssey connects the dots on our current economic pains and offers a new story of money based on an emerging paradigm of planetary well-being that understands all of life as profoundly interconnected.

Aztec romance and the dream of love. The anthropologist’s most human desire, the ultimate contact with the informant. The denial of intellectualism and the acceptance of the romantic heart, and a soul without innocence. Preserved by the Academy Film Archive in 2011.

An experimental film poem in celebration of life and visions. Techniques include live action, animation, montage and found images. Preserved by the Academy Film Archive in 2011.

A film poem using found film and stock footage altered by printing, home development and solarization. It is a film using visual relationships to invoke a feeling of flow and movement.

The panoramic shots are breathtaking: a majestic mountain landscape in winter, flat-roofed tin shacks cowering next to one other, women perched on steep slopes using primitive tools to break through pieces of rock. La Rinconada is situated over 5,000 meters high in the Peruvian Andes, on the edge of a gold mine. This 21st century El Dorado is an inhospitable place, where untold numbers of people live and work in the most precarious of conditions, hoping both for gold and a better life. Salomé Lamas has constructed a cinematic diptych to convey the extremity of this situation and the dimensions of its misery without having to resort to graphic images.

The North of Cauca is the region of Colombia most affected by the internal armed conflict since 1940. There is an orchestra of ancestral music composed of young indigenous people of the Nasa ethnic group who, with their instruments, their voice and their poetry, remember Maryi Vanessa Coicue, Sebastian Ul and Ingrid Guejia, three of the hundreds of indigenous children who have died because of this eternal and useless war between leftist guerrillas, armed groups of the extreme right, drug traffickers and the Colombian State.

Amber Lawrence is a country music singer who spent her childhood not on the stage but at the running track. And one thing running taught her, is practice makes perfect.