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A documentary about the three Woodstock music festivals.

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

Esther Robinson's portrait of her uncle Danny Williams, Warhol's onetime lover, collaborator and filmmaker in his own right, offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.

In 1977, when she was four years old, Albertina Carri's parents vanished without a trace, victims of Argentina's brutal military junta. In this fresh and politically daring film, the young Argentinian filmmaker attempts to unravel the mystery, piecing together her memories and fantasies in a quest to understand her parents' untimely fate.

Disinformation, ignorance and the lack of dissemination of the Catalan reality in the rest of Spain make it necessary for civil society to reach an understanding.

Amid the nation’s ongoing debate over health care reform, this bracing new documentary examines the everyday realities of Americans who lack access to affordable medical treatment. Filmed during three days in the operation of a “no-cost” clinic set up annually at Bristol, Tennessee’s NASCAR speedway, Remote Area Medical documents the range of medical care the eponymous organization provides to low-income patients in the heart of Appalachia.

This Emotional Life is a three-part series that explores improving our social relationships, learning to cope with depression and anxiety, and becoming more positive, resilient individuals.

A Holocaust film without Holocaust imagery, ZYKLON PORTRAIT combines archival instructional films with family snapshots, home movies, underwater photography, and hand-painted imagery for an expressive exploration of how history and memory are related to one family's loss.

Nearly half a century ago, Carmen Ignarra arrived to Mexico after leaving behind her Cuban homeland, in the hopes of becoming the greatest Caribbean actress in Hollywood. But the American dream tur- ned out to be more difficult than she’d thought, and her brief initial success was followed by a slow, painful decline. Today, at 80, the woman who was once Cuba’s most beautiful actress lives totally forgotten in an old mansion in Monterrey. There she survives thanks to her tenants—strange men who she is constantly blaming for mysterious thefts and disappearances. Laura, a young woman also from the Caribbean, arrives at the mansion to work as an assistant in cleaning and housekeeping. With her she brings a video camera and the secret intention of making a documentary about the diva. Together they talk about the past, about wasted talent and lost loves.

An autobiographical document about an amazing couple, and the healing powers of love and music.

A montage of film clips and stills calling all lesbians to come out and celebrate who they are. In a trilogy of experimental documentaries, director Barbara Hammer rewrites history by inserting lesbians and lesbian imagery throughout educational films, newsreels, medical footage and more from the past century.