Хайтарма

A captain in the Czar's army encounters danger and romance while carrying a secret message across 19th-century Russia.

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

One day a friend will betray you, and the enemy at the crucial moment will save lives.

Kharkiv, the 1930s. The heyday of Ukrainian art. Ambitious young poet Vladimir Akimov happily settles in at the new luxury "Slovo" House built specifically for artists. He comes from the provinces and works as a proof-reader in a printing press, and has never even dreamed of living under one roof with prominent Ukrainian writers and artists. He thinks his own poetry is genius, but nobody takes his literary efforts seriously, not to mention the occasional chuckles over his epigone poems. But fate smiles at him. The head of the political intelligence agency suggests that he become the author of a play written earlier. Akimov agrees, signing a non- disclosure note. The poet has no idea what price he will pay for this success. “‘Slovo’ House” is a story about a generation of Ukrainian artists persecuted by the totalitarian system, unfolding against the backdrop of one of the largest genocides of the 20th century: the Holodomor, which caused the death of almost 7 million people.

Krasnaya strela is the special train No.1 between Leningrad and Moscow. The film is set in the 1980s during perestroika in the Soviet Union. Kropotov (Lavrov) is communist CEO of a big industrial company in Leningrad. He is crafty and successful in getting a major order from the Soviet Government; building an automated assembly line. But his style of management clashes with his subordinates, talented engineers. Their potential is strangled by Kropotov's manipulative control. The government order is not accomplished and Kropotov gets fired. He is rethinking his outdated business style while on the train No.1 to Moscow.

Lieutenant Giovanni Drogo is assigned to the old Bastiani border fortress where he expects an imminent attack by nomadic fearsome Tartars.

Nazi-occupied Crimea, 1944. A boy named Itzhak turns to Saide Arifova, a local Tatar Muslim woman, for help, explaining that he and a group of other Jewish orphans are hiding from the Nazis. Arifova faces a moral dilemma: should she try to help them or save herself by refusing? Despite the impending danger, she decides to protect the children by hiding them in plain sight, and disguising them as Tatars and adopting them into the local community.

During the 12th Century a boy is born to a tribal chief. He is named Temujin, which means "blacksmith." Nine years later, his father is murdered by the Tartars After a long struggle, just when Temujin reclaims tribal chief status, the Merkit tribe kidnaps his wife. In order to fight against the Merkits, Temujin has to use his mother as a pawn in exchange for troops from ally tribes. Temujin manages to rescue his wife only to realise that she is pregnant with the enemy's child. Enduring tremendous anguish, Temujin throws himself into battle against the Tartars and slaughters the leader of the intruders. He eventually takes his wife back and accepts her child. Later on, he begins a campaign to unify all Mongolian tribes. By the age of 40, he is bestowed the title "Genghis Khan", which means "oceanic ruler".

Whilst the first shots ring out between pro-Russian government forces and members of the opposition in the winter of 2013, young Nina leaves Crimea. She was raped by a corrupt policeman, her friend was killed, and now she seeks refuge with the protesters on Maidan Square. Revolutionary chaos prevails, and it‘s not at all clear who remains loyal to whom and which means can be regarded as legitimate in the struggle for freedom. Ultimately Nina and her tormentors come face to face again and the spiral of violence is stepped up a further notch. The film was shot to a genuine backdrop, the result of which is a multifaceted allegory on the tragedy currently playing out in the Ukraine.

Documentary video journey in search of the missing Tatar poet Rahim Sattar. The path from the present to the past runs through a polylogue of experts, folk music, works by contemporary artists, musical and creative interpretation of poems by Rahim Sattar and unique archival newsreels shot at the dawn of cinema.