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**An adult fairy tale with hints of repressed sexual fantasy.** Spanish cinema has something that the Portuguese need to learn: it knows how to make films that are enjoyable, entertaining, commercially viable, and yet artistically beautiful and well-made. This movie is far from one of the best, and it decidedly hasn't stood the test of time: I would never have heard of it if I hadn't found the movie on the Internet by chance. The presence of some well-known actors and actresses helped my decision to see it, and I was even pleasantly surprised to discover that the film was filmed in Portugal (I discovered this through the train's locomotive, which I recognized as Portuguese). The script was well written, and weaves a light comedy around a deserting soldier and a very liberal family for the period in which everything takes place, the thirties of the last century. The context is a Spain in political upheaval: the monarchy, unpopular and unloved, is increasingly contested by the people, who place hopes in socialism and republicanism. This is how the republican military uprising in Jaca takes place. The defeat leads Fernando, one of the rebel soldiers, to flee and desert, ending up in a rural region where he meets Manolo, an elderly republican who is quite progressive, but lonely, since his four daughters already live their lives away from their father's house. . When they finally arrive, Fernando refuses to leave because he is enchanted by their beauty: one of them, Clara, is a recent widow; Violet, on the other hand, is a lesbian; Rocío, on the other hand, is dating a boy, from the region, rich, idiot and supporter of Carlist ideologies. The youngest daughter, Luz, is the most innocent. What follows is a cross-over between each of the old man's daughters and the deserting soldier. He actually goes to bed with all of them, and falls in love with each one in turn, which is both hilarious and absurd, and even anachronistic, since it goes against the narrow and closed morality of the Iberian countryside. from that time, when courtship was more social and heavily guarded by the girls' families. This was what irritated me most about the film: the anachrony of the behaviors and excessive sexual tolerance of those people. This seems much more like the product of some modern sexual fetish than a story set in the 1930s. The actors do a reasonably good job: Jorge Sanz is a gentle protagonist, but his performance as an actor is rather lukewarm, and he turns out to be quite erased by the good performance of the actresses. Penélope Cruz and Maribel Verdú are the best actresses: each in their own character, they completely dominate the action with funny and well-executed interpretations. Ariadna Gil is rarely seen, but she also handled the task at hand well. Miriam Diaz-Aroca, in turn, is limited to the average. Fernando Fernán Gomez is a veteran who gives us a good performance, but in an ill-conceived character. Shot in Portugal, the film is quite elegant, and the cinematography works very well, as it does much to give the film a dreamlike look, emphasizing rural beauty and nature. The sets and costumes were well done, and easily transport us to the 30s. The good soundtrack also deserves praise, even if it doesn't have any memorable songs.
Siiri, a hardworking millennial, wants to be successful in her job as the advisor to the Minister of Economic Affairs. She craves a promotion. Siiri’s job takes her and the hard-to-handle minister, an unpredictable eccentric boss lady, to a big tango festival in a small Finnish town. Siiri’s father Petri, a former tango artist and an overly optimistic middle-aged man, wants to make himself useful to Siiri while trying to hide the fact that he himself is homeless, bankrupt and finally at his wits end. Over the course of one summer weekend both Siiri’s and Petri’s facade comes tumbling down but the tango keeps going on in the sweet Finnish summer night.
Alex, Antoine and Manu meet Jean, a loner who ignores the pleasures of friendship. Little by little, they learn to know each other, to appreciate each other. Jean is moved by the complicity and affection that fuels the relationship with his new friends.
Mammootty in 'Pramaani' plays Viswanatha Panicker, the corrupt president of a grama panchayat. Panicker is a self-made man who has become immensely wealthy through corruption. He is called 'Pramani' because he has in his custody several documents; the Pramaanams as they call it.
Luiza is an architect who just got out of a ruinous relationship. Gabriel is a biologist and he has finished a long marriage with divorce. When they both meet, chances that they can do well together are not that big. But they will try to, even if their friends Barata (a convict bachelor totally skeptical when it comes to love) and Marta (a mathematic analyst who wishes that human relations were just as exact as numbers are) think otherwise.
Kelvin and Mila are getting married. The situation get intense between them as they got into more and more quarrel over trivial things.
Prologue is a short film charged with secrets and terrible communication skills. It follows Julie, a young Italian woman living in Northern California who is perfectly happy in her marriage until she stops being able to go along with what her husband wants. With the unexpected help of an elderly stranger who thinks Julie is someone she is not, the young newlywed navigates how to live her truth.