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Beyond Skinwalker Ranch - (Jun 12th)
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Gruen - (Jun 12th)
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After Midnight - (Jun 12th)
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Police 24/7 - (Jun 12th)
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It seems Chimbudevan just cannot make a film without an element of fantasy. Oru Kanniyum Moonu Kalavanikalam ( OKMK), like last year's Naveena Saraswathi Sabatham, opens not on Earth but in the celestial abode of the gods. We see Bramha sitting atop a giant lotus and Naradar meeting him just in the nick of time before he goes to sleep. This talk about time makes them approach Shiva, who, to show them how every minute is important (every day has many fates in it, is how he puts it), chooses one random person in the real world to prove his theory. That person happens to be Tamizh ( Arulnithi), a cash-strapped young man, who we see plotting a kidnap with his friends Malar ( Bindu Madhavi) and Ramanujam Esakki ( Bagavathi Perumal). They have been promised Rs 30 lakh by Hippie Lahiri (Nasser), a bling-sporting Malaysian businessman, to kidnap Isha (Ashrita), the daughter of his rival. And, oh, incidentally, Isha also happens to be Tamizh's girlfriend and so, for Tamizh, this is "Ore kallula oru manga oru thenga"! The first hour of OKMK is a terrific, nail-biting black comedy cum thriller. We get a gun-toting, Siruvar Malar-reading cop, a chase that intercuts with a romantic backstory, a gun that is in orange, pink and yellow, and superb turns from a dozen recognizable character actors, atmospheric cinematography (by SR Kathir), sharp lines ("Kovakkara yezhai dhaan thirudan") and what seems to be an interesting development — Tamizh is shot at and we are genuinely shocked; a hero dying midway through the film? And, then, the director cuts back to the gods and we realize his true intentions. The film instantly turns into a what-if movie — what if Tamizh had started a minute late or another minute later? The director, to his credit, acknowledges Tom Tyker's Run Lola Run, in the end credits. But, suddenly, the fizz goes away from the film as we are shown reiterations of the same set of circumstances playing out differently. And, for a film that is all about the value of time, the director takes a rather longer time to tell this story; there is even a stab at melodrama (thankfully, it is only half-hearted). To be fair, Chimbudevan at least manages to make these scenes interesting, with his humourous lines and inventive writing (even the interval point arrives when there is an interval on screen) but we realize we have nothing more to expect from the film other than the amusement of seeing the same scenes taking place differently. But the one what-if that the directors fails to explore is much more fascinating — what if Tamizh had managed to somehow kidnap Isha, despite being wounded? We cannot escape the feeling that Chimbudevan got stuck at this point while writing and decided to take the easy way out by turning this into a genre that he is familiar with — fantasy. The lead trio are competent and do make us root for them, but it is supporting actors like Nasser, Delhi Ganesh, Mano Bala, Aadukalam Naren, Jayaprakash and VS Raghavan (who gets the cheekiest line in the film after uniting Tamizh with Isha: "Naama serthu vekkalaina, marupadiyum modhalla irundhu varuvaanga", taking a dig at the script's construct) who are the real stars here. They are all just so perfect in their parts and create a memorable impression despite the miniscule screen time and that is certainly Chimbudevan's triumph.
Joan Wilder is thrust back into a world of murder, chases, foreign intrigue... and love. This time out she's duped by a duplicitous Arab dignitary who brings her to the Middle East, ostensibly to write a book about his life. Of course, he's up to no good, and Joan is just another pawn in his wicked game. But Jack Colton and his sidekick Ralph show up to help our intrepid heroine save the day.
French military man Adrien Dufourquet gets an eight-day furlough to visit his fiancée, Agnès. But when he arrives in Paris, he learns that her late father's partner, museum curator Professor Catalan, has just been kidnapped by a group of Amazon tribesmen who have also stolen a priceless statue from the museum. Adrien and Agnès pursue the kidnappers to Brazil, where they learn that the statue is the key to a hidden Amazon treasure.
Ronny is a rebellious man, who falls in love with Sia but circumstances separate them. Years later, Ronny learns that Sia is abducted by a martial arts champion, Raghav.
Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.
With the rent due and his car booted, Sean (Dr. Dre) has to come up with some ends...and fast. When his best buddy and roommate Dee Loc (Snoop Dogg), suggests that Sean get a job busting suds down at the local car wash.
After getting out of prison, small-time crook Mardar stumbles upon a woman who looks exactly like his long-lost lover.
Olive invites Popeye over for a hamburger dinner. His roommate Wimpy hears this and disguises himself as Popeye in order to be who enjoys the feast.
Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them - and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.
Carlo, a former mobster, is abducted by five privileged young men desperate to raise a $2 million ransom to save the sister of a friend. As Carlo plays mind games, however, his captors splinter - each wondering whether one of their own had a hand in the crime.