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Mundasupatti is one heady cocktail when it comes to the genres that the film dabbles in. It is a sci-fi (a meteorite hits a village), a rural drama (the meteorite becomes the deity of a village), a mystery (the space rock goes missing), a period film (the story happens in 1982, with a prelude set in 1947), and of course, there is a romance as well. But it is primarily a comedy. Director Ram Kumar, who is the latest promising find from the TV show Naalaya Iyakkunar, certainly knows how to end a joke with a punchline. In an early scene, we see Gopi, the film's protagonist, lining up a family which has come to his photo studio to have their photograph taken. As he is about to click, his assistant Azhagumani comes with tickets to a newly-released film (this time, it isn't Rajinikanth and Murattu Kaalai, the usual touchstones for period films set in the 80s, but Kamal Haasan and Sagalakala Vallavan), and the two scoot off without taking the photograph to the theatre. But the joke doesn't end there. We see the Gopi and Azhagu having a gala time at the cinema and it is only when they return to the studio in the night, we get the final part of this joke — the family is still there holding their pose! If we had merely been smiling at Gopi's travails in getting the family to pose in the earlier segment, now, we instantly burst into a laugh. Like Naduvula Konjam Pakkatha Kaanom, Mundasupatti, too, is built on a one-note premise — a village and its peculiar superstitions (having photographs taken is bad omen, a deity and the place's lucky charm; if it was a horse that is deified in Azhagarsamiyin Kuthirai, here, a space rock becomes Vaana Muni) — and the variations on this single theme. We laugh when we see that the villagers allow only their dead to be photographed and frame and hang these photos on their walls in memory of the departed. We laugh when we see them refusing to even be in the room when a photograph is being taken. We laugh when both a husband and wife bribe the hero to take a photograph of their spouse so that he/she will depart. And, we laugh when they run for their lives when the hero brandishes the camera when he is being chased. Fortunately, the gags and jokes don't come at the expense of the filmmaking, as it so often happens in our comedies, which seem flatly shot and hastily staged. Here, there is enough craft on display to make us appreciate the aesthetics, like the sequence where Gopi and Azhagu outwit the henchmen of a zamindar (who hopes to steal the invaluable meteorite for an Englishman), which is stylishly staged. The cheerful score and the lovely camerawork only enhance the effect. The actors, too, are up to the task. Vishnu Vishal, who was last seen in Neerparavai (2012), shows that he has a flair for comedy as well and makes Gopi very relatable. As his sidekick, Kaali Venkat is a scene stealer, while, Ramadas, despite being a little over-the-top, keeps the laughs coming as the wannabe film star Munishkanth. His reaction when he realizes that he has been duped by Gopi and Azhagu is hilarious. Nandita doesn't have much to do but veteran Anandaraj makes a fine return to the screen as the impotent zamindar. His character keeps numerous cats in his place and you will definitely chuckle when you know why. Agreed the film is a tad overlong (the climax is clearly extended for the sake of packing in a few more jokes) and some of the comedy feels repetitive but Ram Kumar manages to keep things playful and entertaining at all times (even a scene where a thief is meted out punishment is treated in a lighter vein) that we look past some of the indulgences.
Mahesh, a studio photographer and owner of the studio. As the story moves on, Mahesh encounters an anonymous fight ending up with taking revenge that leads to certain realizations in his life.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
A farmer from Vermont travels to New York and becomes a successful singer in a nightclub.
Haruma is an up-and-coming photographer who is getting full exposure at a photo exhibition in a Tokyo photo gallery. Rei, a beautiful curator at the Yamanashi Prefectural Art Museum, is fascinated by the photos she sees and calls Haruma to request a photo-shoot with an intimate part of herself as the subject. The only rules to this shoot are that no questions must be asked and Rei will be given the negatives. Haruma is initially surprised but goes along with the job, however, Haruma’s pregnant girlfriend Natsumi grows frustrated over being kept in the dark about their work and jealousy develops in their relationship as passions blow up.
Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.
Four young people recently laid off and with great desire to get ahead, begin a series of challenges to win among themselves the little money they have left from their settlement. Let the games begin! The challenges are increasingly absurd and sterile. Saúl, the leader of the pack, decides to take the challenges to the extreme, the winner will take all, the challenge is: "the first one to sleep with a woman wins everything" the condition; that she is an impossible woman. This is the last challenge, the biggest and the group formed by Saúl, Sami, Pelón and “El Malo”, will begin this adventure without turning back, their history will be full of women, ambition and misunderstandings.
During her study in Japan, Viona falls in love with Yamada, a Japanese photographer. Their relationship is soon ruined when her long lost crush comes back into her life.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.