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**_A fairy tale version of the Frankenstein yarn with Sting and Jennifer Beals_** In Geneva of the early 1800s, Baron Frankenstein (Sting) intends on making a bride for the ‘monster’ he created. While the monster (Clancy Brown) wanders the heart of Europe with a dwarf (David Rappaport), the lovely female creature (Beals) is educated at Castle Frankenstein and is intrigued by a noble captain (Cary Elwes), which doesn’t sit well with her creator. “The Bride” (1985) combines Mary Shelley’s Frankenstein with “The Bride of Frankenstein” (1935) and the tone of Hammer films, such as "Vampire Circus" and “The Evil of Frankenstein.” It doesn’t include the creation story of the original monster, but is rather a creative continuation of that story. So, it’s a sequel. The top Frankenstein movies make you care for the creature and this is one of the better ones in this regard. The best part is his friendship with the dwarf and their misadventures in a circus. But I found the other part worthy too, which explores interesting themes. For instance, the risk and consequences of governing males in a patriarchal society giving education and emancipation to women. The flick failed at the box office and is obscure, but it shouldn’t be. While contrived in a comic book way (like Shelley’s book), it has heart and imagination, as well as the confidence to take its time. It is superior to Corman’s “Frankenstein Unbound” (1990) and at least on par with Kenneth Branagh’s “Frankenstein” (1994). The film runs 1 hour, 58 minutes, and was shot in France (such as Sarlat-la-Canéda, Chateau de Cordes and Ain, Rhône-Alpes) with studio stuff done at Shepperton Studios, Shepperton, Surrey, England, which is just southwest of London. GRADE: B+/A-
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature.
A small suburban town receives a visit from a castaway unfinished science experiment named Edward.
In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.
When Champion City's hero Captain Amazing is kidnapped by the recently paroled supervillain Casanova Frankenstein, a trio of average, everyday superheroes - Mr. Furious, the Shoveler and the Blue Raja - assemble a new super team to save him.
One day Pavel, a young man wounded in the war, suddenly shows up at the home of a Moscow scientist name Krymov and claims to be his illegitimate son. Krymov denies this, but out of compassion he helps arrange a necessary operation for Pavel. Then certain things begin happening which suggest to Krymov that he may have a psychologically unstable fellow on his hands.
Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.
A deformed tormented girl drowns herself after her lover is framed for murder and guillotined. Baron Frankenstein, experimenting with the transfer of souls, places the boy's soul into her body, bringing Christina back to life. Driven by revenge, she carries out a violent retribution on those responsible for both deaths.
Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.
Searching for his brother, Ryota stows away on a boat belonging to a criminal alongside two other teenagers. The group shipwrecks on Letchi island and discover the Infant Island natives have been enslaved by a terrorist organization controlling a crustacean monster. Finding a sleeping Godzilla, they decide to awaken him to defeat the terrorists and liberate the natives.
Dr Simon Helder, sentenced to an insane asylum for crimes against humanity, recognises its director as the brilliant Baron Frankenstein, the man whose work he had been trying to emulate before his imprisonment. Frankenstein utilises Helder's medical knowledge for a project he has been working on for some time. He is assembling a man from vital organs extracted from various inmates in the asylum. And the Baron will resort to murder to acquire the perfect specimens for his most ambitious project ever.
French cybernetics genius Victor Frankenstein carries on the work of his notorious ancestor and creates a monster, albeit one with a penchant for philosophy, etiquette and occasional bouts of murderous rage. But when the creature develops a hunger for l'amour, Frankenstein and his understanding fiancé use a cache of freshly murdered strippers to build the creature a beautiful yet dutiful bride. Can the undead find true love in a cold world, or will the French ways of passion unleash some monstrous surprises upon them all?