Breaking Olympia The Phil Heath Story 2024 - Movies (Apr 26th)
Cash Out 2024 - Movies (Apr 26th)
Infested 2023 - Movies (Apr 26th)
All India Rank 2023 - Movies (Apr 26th)
Hack Your Health The Secrets of Your Gut 2024 - Movies (Apr 26th)
Humane 2024 - Movies (Apr 26th)
Possessions 2024 - Movies (Apr 25th)
Dusk for a Hitman 2023 - Movies (Apr 25th)
Love Lies Bleeding 2024 - Movies (Apr 25th)
Blood for Dust 2023 - Movies (Apr 25th)
City Hunter 2024 - Movies (Apr 25th)
Good Burger 2 2023 - Movies (Apr 25th)
Challengers 2024 - Movies (Apr 25th)
Madame Web 2024 - Movies (Apr 24th)
The Pod Generation 2023 - Movies (Apr 24th)
6 Hours Away 2024 - Movies (Apr 24th)
Food Inc. 2 2023 - Movies (Apr 24th)
Blackout 2023 - Movies (Apr 24th)
Mean Girls 2024 - Movies (Apr 24th)
Civil War 2024 - Movies (Apr 24th)
Hanky Panky 2023 - Movies (Apr 24th)
Lets Make a Deal - (Apr 27th)
The Bold and the Beautiful - (Apr 27th)
The Beat with Ari Melber - (Apr 27th)
The ReidOut - (Apr 27th)
Jerrod Carmichael Reality Show - (Apr 27th)
CrimeCam 24-7 - (Apr 27th)
All In with Chris Hayes - (Apr 27th)
The Talk - (Apr 27th)
S.W.A.T. - (Apr 27th)
Gold Rush- White Water - (Apr 27th)
Blue Bloods - (Apr 27th)
The Last American Vagabond - (Apr 27th)
MSNBC Reports Andrea Mitchell Reports - (Apr 26th)
Deadline- White House - (Apr 26th)
The Price Is Right - (Apr 26th)
House Hunters- All Stars - (Apr 26th)
Beyond Paradise - (Apr 26th)
The Next Step - (Apr 26th)
Deal or No Deal - (Apr 26th)
Bargain Hunt - (Apr 26th)
She wheels her wheel barrow, through streets broad and narrow... The third in Roger Corman's cycle of Edgar Allan Poe adaptations sees Charles Beaumont & Ray Russell on script duties and Ray Milland star. The story follows Milland's cataleptic Guy Carrell, whose fear of being buried alive like his father drives him to build a tomb that should ensure against such a disaster occurring... Pulpy, Gothic and at times silly, The Premature Burial is still very much a nice slice of Corman pie. Some critics have bemoaned the lack of AIP mainstay Vincent Price for this one, yet that's unfair on Milland who does some neat work as he blends lunacy with sympathy to great effect. Though the plotting lacks any imagination, since it's obvious from the get go that poor Guy is going to find his nightmare become a reality, this frees up Corman to conjure up as much atmosphere as possible. Backed up by Floyd Crosby's sumptuous Eastman colour photography (in Panavision too), Corman is able to craft some genuinely macabre moments. The appearance of genre babe Hazel Court is a pleasing bonus and the set design coming from old sharp eye himself, Daniel Haller, rounds the film out as a pretty effective piece. Nice creepy use of Molly Malone too! 6.5/10
> An intense thriller from the outside, but full of suspenseful events! A very surprising mystery-thriller from the 60s that I usually won't write reviews for the old flicks, but for this one an exception. The film was based on the book of the same name that sets in the early 19th century. Since it was a short tale the film was just a 80 minutes long. It looked like the film 'Take Shelter', but while progressing its narration totally impressed me with the uniqueness in the development area. However, I did not understand the final scene after all those twists, yet it is obvious an agenda that was achieved. The cast was small and a single location concept where most of them takes place inside a building and its surroundings which were obviously settings. The story was very interesting with turns in every few minutes and incredible performances. This is not a popular film, but surely it deserves more attention for telling a quality tale. Or maybe a remake won't be a bad idea to make it more thrilling product with the availability of the present technical assistant. It is no masterpiece like Hitchcock films, but still worth watching, so I recommend it. 7/10
_**Nice foggy moors, but the premise is odd and the story too one-dimensional**_ A British aristocrat during the Victorian Era has catalepsy and is therefore obsessed with the fear of being buried alive (Ray Milland). His lovely new wife urgently tries to help him (Hazel Court). Heather Angel plays his sister, Richard Ney a colleague and Alan Napier his wife’s father, a doctor. "Premature Burial" (1962) was the third of AIP’s gothic horror flicks of the 60s inspired by Edgar Allan Poe, eight of which were done by Roger Corman, but others were filmed by different directors, like “The Conqueror Worm” (1968), aka “Witchfinder General,” and “The Oblong Box” (1969). Others were Poe-ish in ambiance, yet had nothing to do with the works of Poe, like Corman & Coppola’s “The Terror” (1963). Most of these flicks didn’t follow Poe’s stories/poems very closely despite his name being attached to them. “The Oblong Box,” for instance, features a totally different story. Meanwhile the title of “The Conqueror Worm” was tacked on to “Witchfinder General” in America, along with a quote from the poem, merely to sell tickets. Like “House of Usher” (1960), this one is closer to Poe’s actual story. The colorful Gothic horror sets with a seriously foggy graveyard are great but, like “Usher,” I found the odd story one-dimensional and (melo)dramatically tedious. That is, until the last dozen minutes wherein all hell breaks loose. Speaking of which, the climax features an unexpected twist, even though things could’ve been better explained. I suggest seeing “The Pit and the Pendulum” (1961), “The Conqueror Worm,” “The Terror,” “The Masque of the Red Death” (1964), “The Raven” (1963) and “Tomb of Ligeia” (1964) first. If you want more, check out “Usher” and this one too. AIP was basically the American version of Hammer in England, so devotees of Hammer horror should appreciate it. The movie runs 1 hour, 21 minutes, and was shot at Producers Studios in Hollywood. GRADE: C+
In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home.
When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
A woman with an abusive lover and a boss who sexually harasses her is tormented by nightmares involving a dead psychotic nymphomaniac named Bebe who once tried to murder her. And then a new string of killings begins. Sequel to Love Is a Stranger (1994).
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.
Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.
Set in the "not-so-distant future", the crew of an international space station are set to return triumphantly to Earth, until someone starts killing the other crew members.