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Vardy v Rooney- A Courtroom Drama - (Jun 16th)
Weekends with Jonathan Capehart - (Jun 16th)
Love Island - (Jun 15th)
Later... with Jools Holland - (Jun 15th)
The Beat with Ari Melber - (Jun 15th)
Drama Queens Drama - (Jun 15th)
Love Island USA- Laid Bare - (Jun 15th)
The Kelly Clarkson Show - (Jun 15th)
The Mega-Brands That Built America - (Jun 15th)
Perfect Match - (Jun 15th)
The Five - (Jun 15th)
The Ingraham Angle - (Jun 15th)
Hannity - (Jun 15th)
Gutfeld! - (Jun 15th)
The Kitchen - (Jun 15th)
Symons Dinners Cooking Out - (Jun 15th)
A Royal Guide to... - (Jun 15th)
Happy to be Home with the Benkos - (Jun 15th)
PopMaster TV - (Jun 15th)
All Elite Wrestling- Rampage - (Jun 15th)
Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother's footsteps.
Smadar (Smadar Sayar) and Mirit (Naama Schendar), both 18 years old, are assigned to patrol the streets of Jerusalem together as part of their military service. Worlds apart in their personality their initial frosty relationship changes to friendship as they deal with their own emotional issues, the crushes and break-ups in their love lives, as well as the political realities.
After their father abruptly sells the beloved family-owned restaurant that has employed them for years, the charismatic McDermott boys - hot-tempered Brian (Quill), lovelorn Kit (Mulroney) and jokester Duncan (Astin) - find themselves at odds with their parents and each other.
In a juvenile delinquent center two girls find comfort in love for each other. Once one of them gets released, they don't know how to deal with this and both seek for a solution, with tragic consequences - A contemporary love story based on the motives of Shakespeare's Romeo and Juliet.
Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?
In the middle of her wedding reception, the doubtful bride Unn Tove finds a newborn baby girl abandoned in the hotel restroom. She turns her over to Child Services. 16 years later, a young and energetic girl shows up at her door step. It's Rosemari, the baby from the wedding. Together, they start investigating the circumstances leading to Rosemari's birth. They unravel a story about a young couple's unrestrained love, an eccentric ex-boxer with a taste for erotics, and a mother covering up her life's biggest secret. "Framing Mom" is a touching and funny story about how sex, lies and biology created a beautiful flower, Rosemari.
Traci and Brooke are just like any other woman: they are looking for love. When Brooke's mother suggests she tries speed dating, she drags Traci with her. Things aren't quite as they seem when the gong rings.
Polina is a young dancer from a modest family. After years of ballet academy, she is accepted by the Bolshoi; still, she decides to try and audition of a modern dance company in France. She makes it, but her journey will not end there...
The lives of a lawyer, an actuary, a housecleaner, a professor, and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.