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I can just imagine the scene down the boozer. Danny Dyer and his pal Tamer Hassan are a bit bored and they think - "Hey, let's make another movie. It can be a cheap and cheerful film noir type thing and we can get our mates to join in"... "Great idea - I'll ask Ash, Phil D is probably around and I don't think Brenda is filming "Vera" just now so I'll drop her a text"... Next thing, and a few grand better off from a nearby beetle drive for the budget, off they go to make this. The story? Well, Tamer fancied being "Nick" who owes a loan shark £100k. Unless his debt is paid back pronto, his poor old ma (Brenda Blethyn) will get bumped off by the elderly, prone-to-napping, enforcer that is Phil Daniels. How, though? Well, he partners with best pal "Bing" (Dyer) and go a-fund raising. Can they find the cash and save his wheelchair bound mother? What do you think? Thing about this, though, is that it's not terrible. The acting is one-dimensional and the dialogue is straight out of the "Janet and John book of daft crime thrillers", but there is some humour and charisma to be enjoyed here and it does exactly what is says on the tin. If you set the bar pretty low and go with the flow then you will get pretty much what you expect from this predictable and decently paced ninety minutes of East London drama.
A situation brings two couples at loggerheads with each other in London.
The tale of two women: Sandra, an ambitious but naive Birmingham working girl who moves to London with the hope of securing wealthier patrons, and Louise, her social worker friend, who is fighting to change the antiquated and hypocritical prostitution laws. As both strive to achieve their goals, a cold dose of reality dashes their hopes, and the built-in biases against women in society are unmasked.
A young man struggles to access sublimated childhood memories. He finds a technique that allows him to travel back into the past, to occupy his childhood body and change history. However, he soon finds that every change he makes has unexpected consequences.
A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.
Austin's hottest DJ, Jungle Julia, sets out into the night to unwind with her two friends Shanna and Arlene. Covertly tracking their moves is Stuntman Mike, a scarred rebel leering from behind the wheel of his muscle car, revving just feet away.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
When a woman's father goes missing, she enlists a local to aid in her search. The pair soon discover that her father has died at the hands of a wealthy sportsman who hunts homeless men as a form of recreation.
Jack always lands on his feet. He lands on his feet when he marries the beautiful Sarah. He lands on his feet when he buys a luxurious new home. However, when Sarah goes into labour, he takes a tumble down the stairs and lands on his head. When he comes around he discovers he is the proud father of a baby girl, but deficient in the spouse department to the tune of 1.
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.