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_**Adds some needed pizzazz to the Hammer series**_ A young man (Christopher Matthews) running from the law ends up at an ominous castle and goes missing. Thus his brother and a friend (Dennis Waterman & Jenny Hanley) travel to the dubious dwelling to find him, but come face-to-face with a formidable fiend (Christopher Lee). “Scars of Dracula” (1970) is a sort of reboot of the Hammer series in that it’s basically a redo of Lee’s first two stabs at the undead Count: “Horror of Dracula” (1958) and “Dracula, Prince of Darkness” (1966), not to mention it mixes in aspects of “Dracula Has Risen from the Grave” (1968) and, most significantly, the plot of “Psycho” (1960). For those who question the latter, just reread the plot description above. Some viewers gripe that this one doesn’t fit the chronology of the series for a couple of reasons, yet these supposed conundrums are easily explained: Dracula was reduced to dust at the end of the prior film, “Taste the Blood of Dracula” (1970), but Klove had instructions to seek out and acquire the Count’s ashes if he was ever slain and bring them back to the castle in Transylvania where one of his creatures of the night would supply the blood necessary to resurrect the Prince of Darkness. As for the differences in the look of the castle, Hammer had moved to a different studio and so of course it looks different than it did when they made “Horror of Dracula” thirteen years earlier. Although marred by the cheesy bat sequences, “Scars of Dracula” is one of the more entertaining installments due to the spirited Paul, a bit o’ genuine amusement in the first act and a generally compelling story (hey, it worked for “Psycho,” why wouldn’t it work here?). The female cast doesn’t hurt, particularly the lovely Hanley as Sarah, but also Anouska Hempel (Tania), Delia Lindsay (Alice) and Wendy Hamilton (Julie). For those interested, Hammer did nine Dracula-themed films from 1958 to 1974 as follows: Horror of Dracula (1958); The Brides of Dracula (1960); Dracula: Prince of Darkness (1966); Dracula Has Risen from the Grave (1968); Taste the Blood of Dracula (1970); Scars of Dracula (1970); Dracula AD 1972 (1972); The Satanic Rites of Dracula (1973); and The Legend of the 7 Golden Vampires (1974). Lee plays Dracula in all of them except “Brides” and “7 Golden Vampires” while Peter Cushing appears in five of them as a Van Helsing. The film runs 1 hour, 35 minutes, and was shot at Elstree Studios & nearby Scratchwood, just northwest of London. GRADE: B
Somehow, the sound of Dennis Waterman with a plummy accent doesn't quite work in this standard Hammer production. He is "Simon" who is keen on "Sarah" (Jenny Hanley) who is, in turn, rather keen on his Lothario of a brother "Paul" (Christopher Mathews). When the latter man's antics cause him to flee the anger of the burgomaster, he alights on a fire-damaged castle where he is soon, well... "Simon" and "Sarah" along with the local priest (Michael Gwynn) are soon on the trail but can they rescue him - or, indeed, save themselves from the evil that is "Dracula" (Christopher Lee)? Patrick Troughton is quite effective as the put-upon factotum "Klove" and Lee does just enough but the rest of the cast are really pretty lacklustre as the story follows a predictable pattern - complete with bat-on-a-string and plenty of ketchup and Ribena. It's watchable, but there's way too much dialogue and not enough action until the very last few moments - and even that is too heavily dependent on a thunderstorm to create any sense of impending menace.
During a failed art heist, the Djinn is once again liberated. This time, to complete the 1001 wishes that he needs before the final 3, he lets himself go to prison, where he starts his evil reign twisting the hopes of the prisoners. Meanwhile, the woman who set him free accidentally, Morgana, tries to find a way to stop him, aided by a young priest.
When Maureen Coyle, a suicidal nun who resembles Norman's former victim, Marion Crane, arrives at the motel, all bets are off and "Mother" is less than happy.
A man falls in love with a woman he met on the internet, but the mysterious secret she's hiding could lead him to a tragic fate.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
For cynical tabloid journo Richard Dees, facts are always stranger than fiction. Every headline is a dead-line. Serial killers, UFO abductions, tales of molestation, mayhem and murder. To some the tales are mere sleazy fantasy – but his faithful readers believe. And now there's a new story: The Night Flier. What is it that travels by night in a dark-winged Cessna, lands at secluded airfields and murders local residents? Dees begins to track the unknown killer in a Cessna of his own, uncovering clues that reveal a pilot more terrifying than he could have ever imagined.
Taking an ill-advised detour en route to California, the Carter family soon run into trouble when their RV breaks down in the middle of the desert. Stranded, they find themselves at the mercy of monstrous cannibals lurking in the surrounding hills.
A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
A couple and their 12-year-old son move into a giant house for the summer. Things start acting strange almost immediately. It seems that every time someone gets hurt on the grounds, the beat-up house seems to repair itself.
A telekinetic psychopath lures a group of young people to his ramshackle roadside attraction, unleashing an army of psychically controlled mannequins and other monstrosities upon them.
Vampires have taken over the world but one man aided with the mysterious Madame Ora is going to fight the vampires and give the earth back to the humans.