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The Brokenwood Mysteries - (May 14th)
Below Deck - (May 14th)
The Rachel Maddow Show - (May 14th)
The Last Word with Lawrence ODonnell - (May 14th)
All American - (May 14th)
The Green Veil - (May 14th)
Body Cam- On the Scene - (May 14th)
The Good Stuff with Mary Berg - (May 14th)
7 Little Johnstons - (May 14th)
Contraband- Seized at the Border - (May 14th)
Mean Girl Murders - (May 14th)
Next Baking Master- Paris - (May 14th)
Summer Baking Championship - (May 14th)
WWE Raw - (May 14th)
The Veil - (May 14th)
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The ReidOut - (May 14th)
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Should you decide to visit your local cinema to take in a showing of Phantom Thread, Paul Thomas Anderson's latest offbeat character study, you might want to make a bit more effort with your wardrobe than you're accustomed to for such outings. After spending 130 minutes totally immersed in the world of 1950s high fashion, I felt like an utter rube walking out of the cinema in my jeans and hoody combo. Phantom Thread is as immersive as cinema gets. From its opening sequence, which takes us inside the House of Woodcock, a London fashion house run in quietly tyrannical fashion by renowned dressmaker Reynolds Woodcock (Daniel Day Lewis), Anderson's film dismisses any thoughts we might have of our own world of 2018. As we witness Reynolds go about his daily grooming routine it becomes clear we're watching a movie about a perfectionist, one made by a perfectionist, and starring a perfectionist in what is reputedly his final acting role. Set in his ways like a tree set in concrete, Reynolds knows what he likes, and he likes what he knows. As such, his relationships with the many admiring members of the opposite sex (the film is set at a time when no man was more attractive than one who made things; and if those things happened to make women feel beautiful, like Reynolds' gowns, all the better) rarely get past the following morning's breakfast, where idle chit chat and toast buttering irritate him to a laughably over the top degree. It's during breakfast away from home, in a small country café, that Reynolds meets Alma (Vicky Krieps), a pretty Eastern European waitress who is won over by his flirtatious charm and accepts his invitation for a dinner date. The relationship blooms quickly and Reynolds invites her into his home, teaching her the ways of his trade. It doesn't take long for Alma's ways to begin annoying the fiercely independent and somewhat narcissistic Reynolds, and her presence begins to disrupt his work - she's become an anti-muse! Reynolds' assumption that she will follow the other women in his past and leave quietly once exposed to his spoilt brat boorishness couldn't be more wrong however. Alma is determined to make the relationship work, even if she has to take extreme measures. Read the rest of Eric Hillis's review at http://www.themoviewaffler.com/2018/01/new-release-review-phantom-thread.html
I saw _Phantom Thread_ as part of a trio. We began watching this Oscar nominated movie at staggered intervals. I, from the beginning. The second, a half hour in. Then her partner, just past the half-way point. But all of us came to the same reaction when we'd been watching for what seemed like days only to realise there was still 30 minutes left: Lying on the cold, dirty floor, begging for it to end. Prepare for the most heterosexual thing I have ever said: We had to watch YouTube clips of Arnold Schwarzenegger movie-kills and then the whole original _Robocop_ as a palette cleanser after being forced to endure _Phantom Thread_. That's not hyperbole either, it felt genuinely necessary so that's what we did. I fear that we live in the world where something this pretentious is considered one of the best movies of the year. _Final rating:★ - Of no value. Avoid at all costs._
Probably the best, least biased documentary criticism of Jordan Peterson made thus far
Spiker & Cobakka are two self-confessed 'pieces of Moscow scum' who come to London to rip it off. This is their guide.
A disillusioned young writer living in New York City turns to drugs and drinking to block out the memories of his dead mother and estranged wife.
Graham Young is a teenage misfit living in suburban London in the 1960s. He hates his stepmother but loves chemistry, and the two impulses unite in a wicked plot to slowly poison her. After she dies, he's found guilty and sent to a psychiatric hospital, where an idealistic doctor thinks he can be cured.
The twisted tale of Kenneth, socially insecure technical writer who forms an obsessive relationship with "Nikki", an anatomically accurate silicone sex doll he orders over the Internet.
An ordinary boy named Michael is going through some extraordinary changes in his life. His family has just moved into an unfamiliar house, and his brand new baby sister has fallen ill. One day, while cleaning out the garden shed, he stumbles across something mysterious, a strange creature huddled in the corner; weak of body but strong of will. This is Skellig.
With all-new gadgets, high-flying action, exciting chases and a wisecracking new handler, Derek (Anthony Anderson), Cody has to retrieve the device before the world's leaders fall under the evil control of a diabolical villain.
Saïd and his sister Miriam both idolize their adopted older brother Karim. But Karim must make certain that his siblings never know just how he makes his living...
Maureen Trant and her younger sibling Dani share a strong connection, but local boy Court Foster threatens to throw their bond off balance. Dani and Court meet first and have a flirtatious rapport - but when he meets Maureen, he falls hard and they begin a passionate affair. The new couple try to keep their love hidden from Dani, but she soon learns the truth, disavowing her sister. But a heartbreaking accident later reunites the girls.
Two bleak stories about absent love. In the first, a widow is working hard in a desperate attempt to save her dying daughter. The second tells the story of two wandering singers who kidnap a bride from her wedding.
Forsaking everything she has ever known, a young girl braves punishment and death to join her condemned husband in exile. Reunited and finally free of their blood-stained past, the two lovers set out to build a new life together. But as days and then weeks pass in the endless, hostile desert, they realize how little they truly know about each other, and the banishment that was to be their new beginning tears their world apart.
A romantic drama that charts the lives of three women from different backgrounds, forever changed when they emigrate to New Zealand as war brides.