The Scanners Way: Creating the Special Effects in 'Scanners'

James Lavelle played his first DJ set at 14, launched pioneering record label Mo'Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it's only when you're going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.

The post-70’s explosion of independent music in America has many traceable roots, each with a compelling story. One of its most significant has never been told until now. Drawing on never-before-seen archival footage, in-depth-interviews with musicians and producers, and a mighty soundtrack, THE SMART STUDIOS STORY reveals the pivotal Midwest link to the global rise of 1990's Alternative Rock and the unassuming Madison, Wisconsin recording studio at its center. If you’ve ever been touched by the music of Nirvana, Smashing Pumpkins, Garbage, L7 or their peers, you’ve been touched by the music created at Smart Studios, the legendary recording facility founded by Butch Vig and Steve Marker.

A mockumentary about four people and their idiosyncratic ways of saving the planet.

This documentary provides film fans with an in-depth, behind-the-scenes look at the making of the horror comedy about a man who must lead a medieval army to victory against a horde of undead in order to return to his own time. Includes interviews with star Bruce Cambell, director Sam Raimi and other members of the cast and crew, who discuss what it was like to be a part of the making of this cult classic.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Documentary on movie special effects.

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

‘Sold For Parts’ is a COLLECTIVE films documentary chronicling Fontaines DC’s journey as they write, record and release their award-winning debut album. It is a revealing and honest look at a group willing to open up the deepest parts of their process as musicians, and themselves as young men.

A still, highly overexposed shot of a car bridge and the river below. A cinematic haiku by Chris Marker.