Ignatius of Loyola

Ma Barker and sons Mad Max, Machinegun Nonong and Pretty Boy Fredo want to be the number one criminal family in the land. They think this is going to be their ticket to fame and fortune. But plans go awry when Pretty Boy falls in love with Sheila, a pretty young lounge singer/owner. It turns out that she is the grandaughter of Don Vito , the family's main competitor. Don Vito learns of the relationship and decides to hit two birds with one stone. He sets up Ma Barker and her sons as the fall guys of their criminal operations hoping Pretty Boy will voluntarily leave his precious grandchild alone. But Pretty Boy learns of the plot against his family. His only hope is to convince Shiela of her grandfather's evil ways and help her get him arrested.

Three stories of love starring Sharon Cuneta. The first, "I Love You, Moo-Moo" (directed by Leroy Salvador), is about a young bride who died on her honeymoon; the second, "Ang Silid" (directed by Lino Brocka) is about an interior decorator who investigates a forbidden room owned by a mysterious woman whose sister was murdered; and the third, "Katumbas ng Kahapon" (directed by Emmanuel Borlaza) follows a young woman torn between her abusive husband and her former lover who returned from the US.

About a woman who changes personality to please the man she's with, and about the man who brings her sexuality to full bloom.

A retired police sergeant has an unnatural stranglehold over his wife and daughter. His claustrophobically enclosed world is threatened when his daughter Mila finds herself pregnant and was forced to marry Noel. He attempts to extend his influence over his son-in-law, who resists; there is a confrontation.

Jerry is a wide-awake tourist guide in Cebu who knows all the angles, and who has supported his divorced mother and younger brother and sister since their musician father deserted the family for a younger woman. Jerry guides tour buses, taking the mostly Japanese tourists boating, golfing and to strip shows. Jerry also acts as a pimp, and even prostitutes himself. As the breadwinner he makes sacrifices for his family but wields control over his siblings and mother in return

Crucible of Empire demonstrates how and why the Spanish-American War constitutes such an important milestone in U.S. history. This program examines the events and attitudes that led to war, followed by an exploration of the conflict and its outcome. Early film footage and stills of battle scenes, plus rich visuals, a compelling story, and intriguing analogies to current foreign policy make Crucible of Empire a riveting documentary.

LV and her family make their living by operating an illegal off track betting outlet. But things haven't been going well for them lately, and the future is uncertain with Sta. Ana Park closing down.

Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?

Intoy has had the hots for Doray since they were kids in Kalye Marino, Cavite City, formerly the American Naval Base in Sangley Point. Both marginalized as the long-lasting effect of American abandonment of the said base, Intoy has become Kalye Marino’s best “tahong” caretaker-with-no-angst-about-poverty, while Doray a cheap prostitute-with-no-guilt, tending to her siblings’ needs. Intoy strives to have his own cages of “tahong” so he can have Doray, not for just a night of quickie sex, but forever. But what will he do to when she offers to drop by his hovel-on-stilts to quench his passion, but before it happens Nature has chosen to play a joke on his tahong cage? Will it be goodbye to his tahong business or to his damsel-in-distress and ultimately to Kalye Marino? From Eros S. Atalia’s 2001 Palanca Grand Prize-winning Short Story, Intoy Syokoy ng Kalye Marino is a love tale minus the obligatory romantic sentiments.

Guam, U.S.A. Thursday, November 24, Thanksgiving Day. Alex, a local newspaper photographer, gets into a “green card marriage” with her good friend James, a Guam-born Filipino. Miriam, a former member of the Philippine press and now an established Guam journalist, longs to repair a damaged relationship with her American husband. Ella, a hotel housekeeper for almost 20 years, finds means of sending her 88-year old mother to the Philippines with the uncertainty of coming back. As the island of Guam celebrates this classic American holiday when people count their blessings and give thanks, the lives of the three Filipina immigrants intersect and find themselves at a tug-o-war of sacrifice and significance where they must find their home or must they find it somewhere else.

Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.