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Casteism and racism are not stories from remote past. In Indian society, these evils take a peculiar shape at the intersection of 'class'. "Kathrika" features the happenings inside a beauty salon, giving sneak peak to the ugly side of discrimination in our times.
It is 1913. Women across the country, outraged by inequality and prejudice are beginning to rise up and demand change. In York, a revolution is about to take place as an ordinary Heworth housewife risks her life and her family to join the fight. And she's not alone. Across the city, women run safe-houses, organise meetings, smash windows and fire-bomb pillar boxes. It's dangerous, it's exhilarating, it's ground-breaking: and in 2017 the amazing story of York's suffragettes will be told for the first time. Everything is Possible is York Theatre Royal and Pilot Theatre's latest large-scale community production. The play was performed on a spectacular scale with a cast of around 150 and a choir of 80. The performance started outdoors before moving onto the stage at York Theatre Royal. We raised the purple, green and white flags and cried "Votes for Women!" to sold-out audiences.
Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.
Ramnarayan Tiwari, a Brahmin (uppermost caste as per the caste system in India) is a peon in a government undertaking, where recently, a Dalit (lower caste), has risen to become a big officer. Tiwari burns with resentment towards this officer’s hierarchical superiority because he considers himself superior as per the religiously ingrained caste system. Tiwari is also frustrated as his promotion has been overdue for years. The officer’s bathroom’s drain has choked. Tiwari tries to look for the official sweeper, also a lower caste man. This role-reversal story is about how Tiwari’s need for promotion, and his caste prejudice towards the officer, counterbalance each other to solve the problem of the choked drain.
Three families struggle to find their true selves and their soulmates in a world full of expectations, pressure and obstacles. Inspired by real events, this film shows how they pursue their dreams and potential without losing themselves.
In 1890s India, an arrogant British commander challenges the harshly taxed residents of Champaner to a high-stakes cricket match.
On planet Amoi, a great society has developed, creating a computerized city called Tanagura, ruled by supercomputer Jupiter. The populace is almost entirely male and is based on hair color; anyone silver/blond are the elite, with dark/black hair as the bottom of society, often known as "mongrels". Blonds have "pets", which are usually young boys kept for a few years, who are especially made for performing sexual actions for the Blond's voyeurism entertainment. The pets are not supposed to be kept for long, nor are Blonds allowed to interact sexually with them; but one Blond, named Iason Mink, has kept a pet for years. Mink is also rumored to sleep with his pet named Riki and refuses to let go of him; despite Jupiter's disapproval. Riki fights with his emotions and society problems, unable to decide what to do about his old friend/lover Gai (Guy) and their gang. Iason is obsessed with keeping Riki, and Riki doesn't know what to do; fight against him or surrender to him.
A powerful documentary starring Morgan Freeman about the genesis of The Blues in the South and the music spreading around the world. Morgan Freeman shares his story of his experience of growing up in Clarksdale, Mississippi and his love for the Blues.
In rural South India, 15 year old Vanaja goes to work for the local Landlady in hopes of learning Kuchipudi Dance. Initial chemistry with the Landlady's son turns ugly, pitching her into a battle of Caste and Animus.
It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them.
Based on Yılmaz Güney's script and filmed in semi-documentary style, the movie provides a fresh perspective on the history of labor issues in 1970s.