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After Midnight - (May 14th)
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A bit boring. Wanted to stop watching in the middle because it's so dull. I just continued watching it only to find out who the killer was. Otherwise, I would have stopped watching it.
**A film that manages to entertain its audience, but cannot be called memorable.** By mere coincidence, I caught this film on TV during these early days of the year, and I took the opportunity to watch it knowing that it was an adaptation of a novel by Agatha Christie. Although I don't consider myself, even remotely, knowledgeable about her work, I really like her books and have read several. It is not the case with this book, so I will refrain from commenting on the quality of this adaptation. There will be more qualified people to do that. However, if we consider all the adaptations that exist based on the author's material, I don't think we can put this film among the worst, as it tries to respect the environment and the historical period while giving us high doses of suspense and unpredictability. A warning: anyone expecting to see Poirot or Miss Marple will be disappointed because they are not in the original book. The film is quite good, better than some big productions we sometimes see out there. It entertains its audience, especially if we are attentive enough to follow the story, full of twists and turns. The direction is not particularly happy, I think Paquet-Brenner was not able to get the best out of the cast he had at hand. I think it would have been equally positive if we had had more time to get to know each member of that family. I say this because there are characters that are merely sketched, and I have difficulty believing that Christie didn't leave material to develop them better. The editing also fails a lot, the pacing is uneven, and the suspense oscillates instead of gradually growing towards the climax. Where the production seems to invest more solidly is in the very well executed cinematography, in the careful choice of filming locations and in the design of sets and costumes. As for the cast, I think we had some casting errors that created problems: Max Irons is an actor I wouldn't want here. He seems uncomfortable with the material and doesn't develop any kind of chemistry with Stefanie Martini, who should be his love interest. The scenes between them, particularly those that require greater rapport between the actors, are very forced. Gillian Anderson, Terence Stamp, Christian McKay and Julian Sands are all solid bets that don't disappoint us, but their characters deserved greater development and more time on screen, as has already been said. In contrast, veteran Glenn Close is perfect in her role and gives us very consistent work, while young Honor Kneafsey shows signs of talent and commitment in one of the best children's characters I've seen in some time.
Clean-cut Jeffrey Beaumont realizes his hometown is not so normal when he discovers a human ear in a field, the investigation soon catapulting him toward a disturbed nightclub singer and a drug-addicted sadist.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Sommerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
Two strangers meet on a train. They’ve never met before. Both of whom have someone they’d like to murder. So, they swap murders. A psychopath shares this concept with tennis star Guy Haines, whose wife refuses to get a divorce. He agrees, thinking it is a joke. But now his wife is dead, Haines finds himself a prime suspect and the man wants Guy to kill his father.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect.
By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.
A woman moves into an apartment in Manhattan and learns that the previous tenant's life ended mysteriously after they fell from the balcony.
Jean-Baptiste Grenouille, born in the stench of 18th century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. However, his work takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.
In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.
Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.