The Big Doll House

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

Austin's hottest DJ, Jungle Julia, sets out into the night to unwind with her two friends Shanna and Arlene. Covertly tracking their moves is Stuntman Mike, a scarred rebel leering from behind the wheel of his muscle car, revving just feet away.

The lives of six German-Turkish immigrants are drawn together by circumstance: An old man and a prostitute forging a partnership, a young scholar reconciling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together.

A Swiss nun falls in love with a Japanese engineer.

A remake of the 1917 picture of the same name. Ruth, the offspring of Stevens' hypocritical brother, is neglected by her parents in matters of sex education; as consequence, she trods the primrose path, ending up pregnant, then dead.

Teen-Age is another "exposé" film of the 1940s, cheaply made but widely distributed. In the guise of a warning against wartime juvenile delinquency, the film offers the exploitational tale of a bunch of wild, unsupervised kids at large in a small community. With nothing but time on their hands, the young protagonists become involved with petty theft, inevitably leading to some pretty serious consequences.

Wilbur Crane is a meek, mild-mannered bookkeeper who no longer finds his wife, Martha, attractive and sets out for a little fling among the fast crowd while looking for love in all the wrong places. Dorothy, a gold-digger first class, and her business-manager friend, Danny, oblige him. Through camera angles,"art" photos, some semi-nudity, special camera-effects (by Ray Mercer), and strange interludes in Wilbur's mind, and off-screen voices, long-time poverty-row b-western director Bernard B. Ray embarks on the exploitation trail.

A mysterious woman named Grace hides in a small mountain town from criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace's status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.

A prisoner's wife joins him on an island where a killer satellite and shark-infested waters keep inmates in check.

Nami Matsushima, prisoner #701 is sent to a Woman's Prison for attempted murder. Nami is brought into Number 2 community cell, where suicides and unnatural deaths occurred one after another. In the punishment cell, Nami begins to look back in her past. After dealing with her horrible experiences, Nami seeks to escape from prison. Who will survive?