The Twonky

Chicklet is a sixteen-year old tomboy who's desperate to be part of the in-crowd of Malibu beach surfers. She's the typical American girl - except for one little problem: her personality is split into more slices than a pepperoni pizza.

Bilal Irving, a professional basketball player returns to his small, Northern Ontario town of Dumont. He re-connects with his former coach, and conflict ensues as they both struggle to put their egos and complicated pasts aside to mentor the town’s only basketball team.

Martha, a widow living in rural Pennsylvania, comes home to find her daughter about to blow her own head off with a shotgun in the basement of their house. Martha doesn't succeed in stopping her child's horrific demise, but the girl's death gradually leads the grieving mother to investigate a conspiracy that involves a legendary local witch, Nazi dabbling with the occult, and secret government experiments, with the story even referencing the fabled Philadelphia Experiment

Bob McGraw is in his 12th year of college, goofing his way through life. Bob, Irwing, Gonzer and Max are the four losers forced and bribed to represent their university in an intercollegiate raft race. Forced and bribed into this role, they make some friends, the lovely Heather Merriweather, but mostly enemies, among others a whole team of marines, and preppy IVY-leaguers determined to win.

The antihero "Mr. Karl" tells a "young person", the viewer, his life story while he sits at work in the warehouse of a delicatessen. The narrator increasingly turns out to be an opportunistic follower from the petty-bourgeois milieu, who maneuvered his way through life in the changing course of Austrian history from the end of the First World War to the end of the occupation in the 1950s.

Desperate to raise money for the experimental surgery that could restore his blind fiancee's eyesight, Toxie accepts a lucrative job with the evil multinational conglomerate Apocalypse Inc.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Adolf (Miloš Kopecký), the irresistible seducer of women, is fond of Janicka (Hana Lelitová), a novice opera singer. The girl, however, prefers famous men and Adolf thus does not have a single chance with her. One day in a hospital, he meets a Greek partisan named Apostolek (Pavel Landovský) who impresses him with his spontaneity and ease in solving all problems, especially those with women. Adolf has an idea for a revenge. He makes Apostolek familiar with social manners, dresses him after the latest fashion and introduces him to Janicka as a Greek conductor. Janicka instantly falls in love with the made-up composer and Apostolek does no better.

At a decrepit farm outside a remote American desert community, something takes over the minds of some of the local humans and animals and is able to see through their eyes and control their actions.

A young man visits his fiancé's estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results.