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**BAD, BAD, BAD!** (SPOILER) You just can't help but compare this to the original. Johnny is no actor and Baby is no dancer. The lipsync was so noticeble it was annoying. The first scene back at staff quarters it looked like the dirty dancers were ready to jump into an orgy. I don't really care about people's weight, but this Baby was too chunky to be a dancer (you couldn't half tell, much!) Prattes is also stiff and seems to lack confidence. He certainly doesn't have the smoothness and grace of Swayze and his acting was wooden. I really didn't care about the parents marital dramas. This was supposed to be a love story between Johnny and Baby. Why did they completely destroy the last dance scene that was so iconic in the original. And just to add icing to the cake, the final scene, Johnny and Baby do not end up together. I would have liked that to be left up to the imagination as in the original movie. Dirty Dancing didn't need a remake. This is one movie I won't be watching again.
This is a remake of the original dirty dancing except it has better music. There's some better dancing too. My main issue with this movie is that the two main characters in my opinion don't mesh well together. They don't have good chemistry at all. Other then that I like the added scenes that were not in the original.
Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.
When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister, Connie. But it's not all smooth sailing—Bake has a habit of losing Sherry's jobs for her and, despite Connie's dreams, Bilge is not ready to settle down.
Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.
A doctor hires an escort to seduce her husband, whom she suspects of cheating, though unforeseen events put the family in danger.
Two rich old friends, Andreas and Agisilaos are in love with young Rita. Andreas believes that is youth and not money that drive the world. He sells his soul to the devil, becomes young and flirts Rita. However, Andreas understands that youth alone is not enough and decides to give a dowry to lovely Rita so that she can marry the one she loves.
A Broadway choreographer gets drafted and coincidentally ends up in the same army base as his object of affection’s boyfriend.
An updated version of the 1980 musical, which centered on the students of the New York Academy of Performing Arts.
Billy Bigelow has been dead for 15 years. Now outside the pearly gates, he long ago waived his right to go back to Earth for a day. He has heard that there is a problem with his family: namely with his wife Julie Bigelow, née Jordan, and his child he hasn't met. He would now like to head back to Earth to assist in rectifying the problem; but before he may go, he has to get permission from the gatekeeper by telling him his story. Adapted from the Rodgers and Hammerstein hit Broadway musical.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
