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While The Beyond has reasonably good special effects and adequate acting; the writing and direction are unforgivable. Most Sci-Fi uses technobabble as a plot device to move the story along while The Beyond features many nonsensical monologues of nothing but technobabble. If you have even a passing interest in space travel, cosmology, Maxwell's Rainbow, or just general science; you may find much of the dialog to be bordering on word salad. Camera direction is inconsistent and perplexing. Sometimes the camera is steady as if on a tripod, but even when it should be steady, such as a local news crew doing a man-on-the-street interview or a camera affixed to the outside of the space station, the camera shakes and swerves around like you're watching Cloverfield or The Blair Witch Project.
Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis planet to recover Spock's body.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.
In 1967, four undercover CIA agents were sent to NASA posing as a documentary film crew. What they discovered led to one of the biggest conspiracies in American history.
During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.
When Earth is taken over by the overly-confident Boov, an alien race in search of a new place to call home, all humans are promptly relocated, while all Boov get busy reorganizing the planet. But when one resourceful girl, Tip, manages to avoid capture, she finds herself the accidental accomplice of a banished Boov named Oh. The two fugitives realize there’s a lot more at stake than intergalactic relations as they embark on the road trip of a lifetime.
Ti, a really poor construction worker that struggles to keep his son, Dicky, in private school, mistakes an orb he finds in a junkjard for a toy which proves to be much, much more once the young boy starts to play with it.
Face-blind Michelle Spark founds the start-up Real-o-Rama, which produces data glasses. Initially celebrated, a scandal ensues during a live TV show when the teacher Pablo Rothmann is outed as homosexual through the data glasses and loses his job as a result. Rothmann appears in various television formats in which he criticizes Spark and the data glasses
Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to start a race against time for life and death.