Den inre hamnen

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

The story of Ellis Island and the American immigration experience. This film is a tribute to the 18 million men, women and children who made the torturous journey from the Old to the New World between 1890 and 1920, in the single largest migration in human history. The film radically tells the immigrants' stories as they braved the unknown, from the time they left their homelands, their journey across the ocean, to the moment the doors of Ellis Island opened, revealing the great promise of America.

This short film is a metaphore for the destruction of the indian culture by the 'white man'.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

A short documentary film about the director's relationship with his deceased grandfather.

The story of a county-side doctor, extraordinary woman, to whom the villagers turn not only in case of medical help, but also to have a piece of good advice.