Arcadian 2024 - Movies (May 1st)
Down the Rabbit Hole 2024 - Movies (May 1st)
A Million Days 2023 - Movies (May 1st)
Resurrected 2023 - Movies (May 1st)
This Never Happened 2024 - Movies (May 1st)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (May 1st)
The Peasants 2023 - Movies (May 1st)
Sick Girl 2023 - Movies (Apr 30th)
The Portable Door 2023 - Movies (Apr 30th)
Great White Fight Club 2023 - Movies (Apr 30th)
Three Dates to Forever 2023 - Movies (Apr 30th)
Candid About Love 2023 - Movies (Apr 30th)
The Fall Guy 2024 - Movies (Apr 30th)
The Long Game 2023 - Movies (Apr 30th)
Cabrini 2024 - Movies (Apr 30th)
Madame Web 2024 - Movies (Apr 29th)
Honeymoonish 2024 - Movies (Apr 29th)
Priscilla 2023 - Movies (Apr 29th)
Romance at the Vineyard 2023 - Movies (Apr 29th)
The Stones and Brian Jones 2023 - Movies (Apr 29th)
Blood for Dust 2023 - Movies (Apr 29th)
House of the Owl - (May 1st)
Blood Free - (May 1st)
The Weekly with Charlie Pickering - (May 1st)
Scotlands Home of the Year - (May 1st)
The Cheap Seats - (May 1st)
Drama Queens Drama - (May 1st)
The Cook Up with Adam Liaw - (May 1st)
Alone Australia - (May 1st)
Deal or No Deal - (May 1st)
The Chase Australia - (May 1st)
Tipping Point Australia - (May 1st)
Miriam- Death of a Reality Star - (May 1st)
Love Triangle - (May 1st)
Glow Up- Britains Next Make-Up Star - (May 1st)
The Chase - (May 1st)
Outback Crystal Hunters - (May 1st)
The 11th Hour with Stephanie Ruhle - (May 1st)
WWE NXT - (May 1st)
The Big Valley - (May 1st)
Crime Nation - (May 1st)
Euller Miller is a young native Brazilian of kaiwá ethnicity who leaves his small village just outside of Dourados (MS) to study dentistry at a public university in the crowded capital city of the state of Paraná. The film follows the complex transition between two very different worlds and the search for new horizons without abandoning his indigenous roots.
How did Hollywood pitch movies about gays and lesbians between 1956 and 1977? Here are theatrical trailers for 27 mainstream and art-house films, presented chronologically from "Tea and Sympathy" to "Outrageous!" More than half are films released between 1968 and 1972. Half are dramas and half are comedies, with farce dominating the films released after 1971. At least three advertise X-rated films: "The Killing of Sister George," "Midnight Cowboy," and Visconti's "The Damned." There's no voice-over commentary for this compilation, but it does include advertisements for snacks and one warning against public displays of affection aimed at "her" to control "him."
The first in a series of films for the Rural Cinema Scheme in the Orkneys, it records the return to the island of Wyre of Neil Flaws, a farmer, and his family at a time when the drift from the northern isles of the Orkneys was of concern to some Orcadians.
A short piece of film recording general views of Edinburgh's Princes Street in the 1950s.
Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate
A group of middle-aged women get together at a secluded house to learn about themselves.
Following their triumph with Manufactured Landscapes, photographer Edward Burtynsky and filmmaker Jennifer Baichwal reunite to explore the ways in which humanity has shaped, manipulated and depleted one of its most vital and compromised resources: water.
A former prostitute, now a rock-solid wife and mother, suddenly has to deal with two corpses, which she dissects for disposal gradually feeds to the family dog
In this absorbing film, seven independent female Iranian documentary makers take us into their personal and professional world, in an Iran that continues to be punctured by political, social and economic crises. What becomes clear over seven autobiographical chapters, is that choosing to become a documentary maker in Iran is a brave decision, often placing your liberty in danger. These women are driven by the need to document their world, and the forces that continue to restrict their movement and freedom. Whether it is making a film about department stores in Tehran featuring mannequins with severed heads and breasts, or the women singers they used to love as children, who have been banned from radio and TV since the revolution, or the huge swell of hope that comes with each election, these directors provide a rare and incisive view inside contemporary Iran, a country they continue to love, even as they will it to change.