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Birds of a different feather do indeed flock together. The Birds is directed by Alfred Hitchcock and adapted to screenplay by Evan Hunter from the story of the same name written by Daphne du Maurier. It stars Rod Taylor, Tippi Hedren, Suzanne Pleshette, Jessica Tandy, Veronica Cartwright and Ethel Griffies. Cinematography is by Robert Burks and editing by George Tomasini. Mother's love? Better to be ditched or loved? When animals attack! The only outright horror movie that Alfred Hitchcock ever directed, The Birds sees the great man get the utmost terror from something so amiable in our lives - Birds! Modern day critics can hark on about it being dated all they like, it still doesn't detract from what a frenzied experience "The Birds" can still be - let alone what it did for cinema goers in 1963! Admittedly upon small screen ventures too much is missed or under enhanced, which is a crying shame. But it isn't dark Annie! It's a full moon. Plotting is simple in trajectory terms. Hip socialite Melanie Daniels (Hedren) has a friendly vocal joust in a pet shop with handsome Mitch Brenner (Taylor), the result of which sees Melanie, on a mischievous whim, buy a couple of lovebirds and set off for Mitch's weekend retreat out in Bodega Bay to deliver them as a show of devilish womanhood. Upon arrival in Bodega Bay, though, Melanie seems to be the spark for the birds in the area to start attacking humans, and pretty soon the attacks escalate and intensify... Hitchcock and Hunter offer up no reasons or answers for what occurs in Bodega Bay (to keep it murky we learn late on via radio that other towns become affected), and famously the ending is open ended as well, forcing the audience to unravel ideas themselves. There's no musical score in the film, thus Hitchcock gets the terror and tension out of editing, bird effects and unholy sounds. The pacing is also a key area, it's a good hour before things go decidedly nasty, the wait keeps the viewer on edge, we seriously get to know the principal characters (the actors worked well by Hitch) and then the terror is unleashed. Perfect. Hitchcock's skill at staging a memorable scene is well evident here. The climbing frame that sees one crow arrive, cutaway as Melanie smokes on a bench, back to the frame and now it's four crows, cutaway, back, and five crows – eight – then a "murder of crows". The birds first attack at the birthday party, the telephone kiosk, gas station mayhem, the birds swooping into view above the school roof and the POV viewpoint as we join a bird hovering above a town under siege, all great scenes, as is the crowning glory that is the eerie silence that accompanies the edge of your seat finale. Motifs are plentiful, from Mothers to sexuality, from broken crockery - to glass - to abandonment fears, Hitch has fun, especially with the human interactions, or lack of in certain scenes. It's a film that cries out for analysis, such is the director's want, in turn it's a riveting horror picture and a crafty enigma. It sounded daft as a basic idea for a film, and some must have thought Hitchcock had missed the boat of the creature feature boom of the 50s. Yet "The Birds" stands tall and proud as a damn fine piece of film from a true maestro of his craft, one of his last true classics and still today, over 50 years after its release, the film provokes theory discussion and visual terror in equal measure. 9/10
Certainly has some creepy imagery and the acting was mostly passable, and I guess it works as a B-movie horror-thriller, but I never really found the birds all that terrifying. Probably the lower end of the Hitchcock movies I've seen. **3.25/5**
Terrific horror film! Terrific film! But my impression is that The Birds is not really about the birds. To me this movie is all about the characters, their stories and finding something they didn't expect to find in each others. They felt real to me, they evolved and changed alongside their relationship with each others. In the end, even though they are going through hell, they managed to find some closure.
The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo - his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.
While staying at her Aunt Claire's country home, Amy Treloar discovers a dollhouse with a secret only the dolls know.
The devil, following in the footsteps of Christ, decides to become flesh and take a stroll around Earth to see how humans have progressed, and have a little fun creating havoc and mayhem in the process.
Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
While exploring the neighboring woods, 13-year-old John discovers an unfinished bunker — a deep hole in the ground. Seemingly without provocation, he drugs his affluent parents and older sister and drags their unconscious bodies into the bunker, where he holds them captive. As they anxiously wait for John to free them from the hole, the boy returns home, where he can finally do what he wants.
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.
When legendary hunter Bob Rainsford is shipwrecked on the perilous reefs surrounding a mysterious island, he finds himself the guest of the reclusive and eccentric Count Zaroff. While he is very gracious at first, Zaroff eventually forces Rainsford and two other shipwreck survivors, brother and sister Eve and Martin Towbridge, to participate in a sadistic game of cat and mouse in which they are the prey and he is the hunter.
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
Five young Amish girls accused of being Satan's children must fight for their lives when their devout community elders insist they be "cleansed" before turning 18.
Ted and his family have just moved to the sleepy coastal town of Gull Island so that he can complete work on his thesis. Everything couldn’t seem more picturesque about their new, seaside home… that is, except for the increasing number of aggressively behaving birds.
An insurance investigator begins discovering that the impact a horror writer's books have on his fans is more than inspirational.