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Inside with Jen Psaki - (May 26th)
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The UnXplained- Mysteries of the Universe - (May 26th)
Love Your Weekend with Alan Titchmarsh - (May 26th)
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My Adventures with Superman - (May 26th)
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“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.
The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.
This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.
A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
Capturing the history of the infamous and beloved old UK home video label, with the man himself Michael Lee appearing for the first time ever on camera to tell his story. VIPCO brought many bizarre and horror released titles to the UK shores in the 80s on home video, who ended up getting caught up in the video nasty scandal.
Feature-length documentary on the making of the 1984 slasher film classic.
Spain. 1978. Year of the first democratic elections following the dictatorship, and of the birth cine quinqui (delinquent movies): films that rapidly became a big commercial success, showing things that were banned by the censorship not too long before.
Have you ever wondered what it would be like to put on a major fan convention, the likes of San Diego Comic Con or MegaCon? Well, look no further as director Steven Shea trains a surprising lens on all the backstage triumph and tragedy it takes to pull off South Florida’s gigantic Florida Supercon. Surviving Supercon follows owner Mike Broder and his wife and partner Sandy Martin—a “mom & pop” duo—who launched the convention in 2006, inspired by Atlanta’s DragonCon and Orlando’s Spooky Empire, as they run their four-day convention over a weekend of monumental victories and disasters. From crazy celebrity stories, to amazing connections in the wake of unsuspecting tragedy, plus inept security teams and anarchic attendees, the film is a love letter to all the passion and madness it takes to brave a sea of Harley Quinns and deliver a seemingly flawless weekend to the tens of thousands of guests who cross the threshold into a convention center where dreams are made.
Special Effects Supervisor Jeff Okun gives an overview of his responsibilities on Sphere, and takes us through some of the techniques used to create the illusions that sell the film, from storyboards and concept drawings through scaled miniatures and CGI. The segment ends with Elkins giving some advice for those who might want a career in the special effects industry.