Alice

In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.

Oliver doesn’t have a family so he steals one.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

A short film by Furukawa Taku.

Afro-Ken, a dog with a rainbow-colored afro, is a happy dog that does not speak. He likes things that look like him, such as cotton candy. There are different types of Afro-Ken, with different hairstyles, such as a mohawk (called Mohican-Ken), curls (Curly-Ken), and no hair (Normal-Ken).

Edmond, an office loner, who gets the surprise of his life by having a genie appearing out of nowhere to grant him any wish he desires. However, Edmond has a surprise of his own by requesting a peculiar wish to the genie.

Part work of ethereal realism, part dance film, this contemporary-set short follows a young man facing the probability of an HIV+ diagnosis.

A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.

A youn alien comes to earth to teach humans how to live in peace.

A monkey comes home and uses a magic wand to make himself dinner. No sooner as he falls asleep, a hungry burglar enters his house. This short film was made by Segundo de Chomón in 1923 in his private studio with the help of his wife and son, outside of any studio structure, and has never had a regular distribution.