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Sayen The Hunter 2024 - ()
**A good movie, with nice gothic touches, despite being tiring, slow, excessively dark and not very faithful to the original book.** I saw this movie very recently and was pleased. The film is a remake of an older work, from 1972, both of which are inspired by an older historical novel of the same name, published in 1796 by Matthew Gregory Lewis, an English playwright, perhaps still inspired by the vapors of republicanism and fanatical anticlericalism coming from neighboring Revolutionary France. This film takes place in the early years of the 17th century, in the Spain of the ultra-Catholic Habsburg Kings. A baby, abandoned at the door of a Capuchin convent, becomes the prestigious preacher Friar Ambrósio, who draws crowds with his sermons. However, things change after the arrival of Valério, a new monk, whose burns force him to always keep his face covered. As time passes, we will discover that this new monk is not what he seems. The plot is pleasant and has a Gothic touch, although it does not take place in the medieval period, but in the times of the Counter-Reformation. For me, as a historian, the film has too much imagination and there are very fanciful details, like the story of the pregnant nun left for dead. The original book is not so macabre, and it gives this character a better, more interesting and appealing plot, making the nun Agnes one of the heroines of the original story. And if it's true that I really enjoyed the dense environment and the pleasantly dark atmosphere, it's also true that the film is very still. Being a French production, the cast is overwhelmingly French-speaking and delivers a restrained, elegant performance, more profound than truly dramatic. I liked the work done by the actresses Joséphine Japy and Déborah François, the latter being seductive without really having to show much of her body. Geraldine Chaplin also seemed to me to be fine in her short role. Roxane Duran and Frédéric Noaille both had very little time to show their worth. Ultimately, the film ends up being, almost, a one-actor film: the prestigious and competent Vincent Cassel sustains the film and gives us a mature, well-achieved and consistently intense work. Making the gloomy environment even denser, the cinematography doesn't give us much space to see beyond the few points of light that exist in the scene. I understand that the director, Dominik Moll, wanted it, and saw in this cinematography, signed by Patrick Blossier, a mark of style, but for me, it was problematic and tiring. Without any exaggeration, there are scenes immersed in full darkness, with only the face of the actor or actress, partially visible in a very dim light. Along with this excessive darkness, the film's pace is exasperatingly slow: a 90-year-old woman in a walker walks faster. The music, signed by Alberto Iglesias, is good and does her job very well.
A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.
Police try to track down a hooded serial killer who murders his victims with a combination of acid and poison gas
Falsely accused for cheating in a martial arts competition, two boyhood friends are banished from their Shaolin Temple and go their separate ways. As adults, they join opposing sides in a civil war. When one betrays the other, they settle their differences mano-a-mano.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
Immediately after their miscarriage, the US diplomat Robert Thorn adopts the newborn Damien without the knowledge of his wife. Yet what he doesn’t know is that their new son is the son of the devil.
A drifter is picked up by police in connection with the disappearance of a young couple on a remote, windswept island months before. But the drifter turns the table on their investigation and relates a tale of madness and the supernatural.
A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.
Four hardened crooks break out of prison. Hunted down, with nowhere to run, they seek refuge in the only place the police cannot follow, a Cistercian monastery. Cut off from the outside world, a nightmare stand off develops between the fugitives, ready to kill in defence of their dearly purchased freedom, and the monks they' re holding hostage. But in this potentially lethal confrontation, nothing is quite as it seems. The game' s been rigged from the start. Requiem' s a violent and fast paced French film that really delivers.
A beautiful young woman sets her sights on an aging millionaire. She seduces him, and moves into his mansion with him. She soon tires of him, though, and after she gets rid of him, she goes after his son.
The terrifying thriller tells the story of Sara (Lydia Bosch, 'Grand Hotel'), a popular novelist who after suffering a serious accident, it is host to a monastery in the north section of Italy in which dwells an ancient brotherhood. A place stuck in the past: without light, water or telephone, where the Benedictine monks, sitting in the dark, cold and silent, strictly follow the laws of Christianity.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
