凍える鏡

Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

Leah, a mysterious journalist, crafts a passionate romance with Andrea, but dark secrets unravel, revealing the destructive cycle of narcissistic abuse.

An honest, genuine writer discovers the painful truth of a handsome and charming yet manipulative and toxic love interest.

A man has his routine reduced to his monotonous work and the suspicious relationship with his wife, until objects, places and people mysteriously disappear, making his life more interesting and, at the same time, dangerous.

Alice Miller (1923-2010) psychologist and researcher, became world famous for her books about child abuse and its consequences. But how was it like to grow up as her son? And why did she keep parts of her history a secret?

Four different Alices wander through mazes constructed from 40 years of Spanish history in this post-Franco meditation. Loosely related to the "Alice" of Alice in Wonderland, in one episode of this film, Alice (who is clearly a metaphor for the Spanish people) is raped by some multinational corporations. Told in a somewhat confusing manner, especially for those unfamiliar with the nuances of Spain's history in the period between 1936 and 1975, this is director Jorge Feliu's first feature film.

After years of ignoring the shy cousin whom she and her peers taunted mercilessly as a child, a middle-aged woman (Ingrid Thulin) wrenches the poor man (Erland Josephson) out of his self-chosen solitude to accompany her on a trip. Despite developments which deepen their knowledge of one another, the communication between them does not portend long-lasting intimacy.

In a wealthy Italian home, the daughter of the family is trying to cut her mother's apron strings. Not only is she having difficulty with this, for her mother is extremely protective, but she cannot even cut vegetables skillfully. Despite that, she wants to go out and party, mother or no mother.

A rural community in the Ecuadorian Andes suddenly faces a land dispute with the legal representatives of a large company. The discovery of very rich ore deposits in the territory is the reason of the offensive greedy on those places, where the community lived since immemorial times.

Directed by Nicolás Sarquís.