Furiosa A Mad Max Saga 2024 - Movies (May 27th)
Love Lies Bleeding 2024 - Movies (May 27th)
Back to Black 2024 - Movies (May 27th)
Dead Wrong 2024 - Movies (May 26th)
Asphalt City 2024 - Movies (May 26th)
Bob Marley One Love 2024 - Movies (May 26th)
Damaged 2024 - Movies (May 26th)
Knox Goes Away 2024 - Movies (May 26th)
Renee Gracie Fireproof 2024 - Movies (May 26th)
Gaga Chromatica Ball 2024 - Movies (May 26th)
Youll Never Find Me 2023 - Movies (May 25th)
Road Wars Max Fury 2024 - Movies (May 25th)
A Most Atrocious Thing 2024 - Movies (May 25th)
Jordan Klepper Fingers the Pulse Moscow Tools 2024 - Movies (May 25th)
Print It Black 2024 - Movies (May 25th)
Vanished in Yosemite 2023 - Movies (May 25th)
The Next Centimeter 2024 - Movies (May 25th)
ODESZA The Last Goodbye Cinematic Experience 2023 - Movies (May 25th)
Whos Yer Father? 2023 - Movies (May 25th)
Half Baked Totally High 2024 - Movies (May 25th)
Nasty More Than Just Tennis 2024 - Movies (May 24th)
The Chase Australia - (May 27th)
When Calls the Heart - (May 27th)
The Summit - (May 27th)
Blaze and the Monster Machines - (May 27th)
Gemma and Gorka- Life Behind the Lens - (May 27th)
Summer House- Marthas Vineyard - (May 27th)
Tipping Point Australia - (May 27th)
Highway Cops - (May 27th)
Wicked Tuna - (May 27th)
The Real Housewives of Cheshire - (May 27th)
Snapped - (May 27th)
The Brokenwood Mysteries - (May 27th)
Sins of the South - (May 27th)
The Cook Up with Adam Liaw - (May 27th)
Opal Hunters- Red Dirt Road Trip - (May 27th)
The Real Housewives of New Jersey - (May 27th)
Race Against The Tide - (May 27th)
60 Minutes - (May 27th)
999- On the Front Line - (May 27th)
Paramedics on Scene - (May 27th)
Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villages. This hope will end in a new disappointment: Africa is a reservoir of irremediable contradictions that will explode in the massacres of yesterday and today. It is an Africa that starts from the outskirts of Rome, but thousands of non-EU citizens flock to the sub-proletariat of the villages.
In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.
The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.
A man reads a letter from his away girlfriend while he contemplates on some memorable places in Jakarta, where they had spent time together.
A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.
Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.