Sudan's Forgotten Films

Working with Luigo Fulci and making 'Touch of Death'.

The true life story and adventures of László Almásy, the 'English patient', who crossed Africa in 1929 with the father of filmmaker Kurt Mayer: These events provide the motivation and outline for a critical journey through 'men's domains' in Cairo, London and Vienna. Navigation in the expanses of the memory - the dream of flying, documents from the war and of an unrequited love...

A subway jigsaw of Marker's work: PASSENGERS.

Dr. Francis Schaeffer's spectacular series on the rise and decline of Western culture from a Christian perspective.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

After Kosovo's independence the first internationally recognized sports federation was the one of Table Tennis. Two local Ping-Pong enthusiasts see this as a great opportunity and start self-financing the training sessions for young players.

A darkly comedic, personal testimony about birth control side effects and navigating the inadequacies of women’s healthcare.

A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films.

In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.

Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.