Winnie the Pooh and Tigger Too

When strange accidents happen at the factory where Mr. Monroe works, and vegetables are drained of their juices, the neighbors as well as Harold the dog and Chester the cat suspect that the new-found family bunny is really a vampire.

Home is more than a place where we live. It is also a feeling of trust, being within your family. This feeling is transferred from generation to generation. This film follows a little boy losing his home through mourning and relocation, and questions if it is possible to recapture the feeling in another place. A central theme in the film is the nature of connections between generations. Differences, similarities, and behaviour patterns that are transferred between the old and the new worlds. They tie together individuals and generations in a family the same way as fine silk threads interlace within the cloth.

Camille is about to take a bath when a child appears and questions the identity she has built up until now. After having a talk with whom she should have become, she fully embraces the doubts and issues that come with the construction of one’s unique identity.

A hand-made, scratched-on film experiment in intermittent animation. The images are a group of twenty-four visuals, all non-representational, which arrange and rearrange on the screen in many combinations. The result is a changing pattern of sound and image that has its own rhythm for eye and ear.

A married man on a business trip checks into a hotel. The hotel manager’s daughter falls for him at first sight. Rejected by the man, she embarks on a journey of revenge...

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

This bone-chilling minimalistic animation film (made with black, white and red colors only) is voiced by the director herself, the Australian illustrator Anita Lester, whose grand-aunt had lost her entire family in Nazi camps and has then gone mad. Her confused, distorted, extrapolated memories full of despair and horror, of mysterious interiors and someone’s eyes, became the foundation of this impressive conceptual short film.

A short sketchbook-style animated film that takes a look at people at a 'La Fete Nationale' celebration in Montreal, Quebec.