Ordinary Angels 2024 - Movies (May 2nd)
All Fun and Games 2023 - Movies (May 2nd)
Godzilla Minus One 2023 - Movies (May 2nd)
Tommy Tiernan Tomfoolery 2024 - Movies (May 2nd)
Turtles All the Way Down 2024 - Movies (May 2nd)
The Idea of You 2024 - Movies (May 2nd)
Secrets of the Neanderthals 2024 - Movies (May 2nd)
Creating a Universe - The Making of Rebel Moon 2024 - Movies (May 2nd)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (May 2nd)
The Contestant 2023 - Movies (May 2nd)
Boy Kills World 2023 - Movies (May 2nd)
Arcadian 2024 - Movies (May 1st)
Down the Rabbit Hole 2024 - Movies (May 1st)
A Million Days 2023 - Movies (May 1st)
Resurrected 2023 - Movies (May 1st)
This Never Happened 2024 - Movies (May 1st)
The Peasants 2023 - Movies (May 1st)
Sick Girl 2023 - Movies (Apr 30th)
The Portable Door 2023 - Movies (Apr 30th)
Great White Fight Club 2023 - Movies (Apr 30th)
Three Dates to Forever 2023 - Movies (Apr 30th)
A Place in the Sun- Summer Sun - (May 2nd)
MSNBC Reports Andrea Mitchell Reports - (May 2nd)
The Express Way with Dule Hill - (May 2nd)
Frontline - (May 2nd)
Raw Talk - (May 2nd)
Hudson and Rex - (May 2nd)
A Gentleman in Moscow - (May 2nd)
Bangers and Cash - (May 2nd)
All Elite Wrestling- Dynamite - (May 2nd)
The Amazing Race - (May 2nd)
WWE Main Event - (May 2nd)
House Hunters- Where Are They Now? - (May 2nd)
The 11th Hour with Stephanie Ruhle - (May 2nd)
Pawn Stars- Best Of - (May 2nd)
Theresa Caputo- Raising Spirits - (May 2nd)
Dateline- Secrets Uncovered - (May 2nd)
The Cook Up with Adam Liaw - (May 2nd)
Abbott Elementary - (May 2nd)
Survivor - (May 2nd)
Tipping Point Australia - (May 2nd)
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.
Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.
Fifty-six-year-old Perianayaki contends with the difficulties of fitting into her new home, especially at the local supermarket where she works. Eye-opening and brimming with compassion, the latest film from director Bala Murali Shingade is a slice-of-life character study that provokes questions about multiculturalism and our assumptions about the people we encounter in daily life.
Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.
A young and affluent couple become fatally entangled in their own wish-fulfillment world.
Ordinary people find extraordinary courage in the face of madness. On 13–14 November 1990 that madness came to Aramoana, a small New Zealand seaside town, in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped for 24 hours while a handful of under-resourced and under-armed local policemen risked their lives trying to find him and save the survivors. Based on true events.
An airplane lands. A massive cruise boat anchors off the reef, disgorging tourists for tropical island vacations. This postcard paradise depends on petroleum imports to fuel its cars, motorbikes, boats, hotels, pumps and machinery. Yet if the tourists stopped coming, what then? The film opens with the prophetic words of Niuean artist John Pule and continues as a visual tone poem, without dialogue or narration, moving forward into the past to ask questions about the future. A young man travels back in time, from luxury resorts and lagoon tours through pandemic and population exodus, to early Christianity when missionaries incinerated his island’s atua and marae. Finally he reconnects with his tīpuna who settled the island a thousand years ago.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.