Emma and Eddie A Working Couple 2024 - Movies (May 21st)
Stress Positions 2024 - Movies (May 21st)
4 Kings 2 2023 - Movies (May 21st)
Boy Kills World 2023 - Movies (May 21st)
The Fall Guy 2024 - Movies (May 21st)
Kingdom of the Planet of the Apes 2024 - Movies (May 21st)
Seize Them! 2024 - Movies (May 21st)
Killer Body Count 2024 - Movies (May 21st)
A Strangers Child 2024 - Movies (May 20th)
Arthur the King 2024 - Movies (May 20th)
The Wrath of Becky 2023 - Movies (May 20th)
IF 2024 - Movies (May 20th)
Family Practice Mysteries Coming Home 2024 - Movies (May 20th)
Oppenheimer 2023 - Movies (May 19th)
Golden Kamuy 2024 - Movies (May 19th)
Silent impulses 2023 - Movies (May 19th)
Everything Puppies 2024 - Movies (May 19th)
Silence of the Prey 2024 - Movies (May 19th)
The Guardian of the Monarchs 2024 - Movies (May 18th)
Imaginary 2024 - Movies (May 18th)
One Life 2023 - Movies (May 18th)
Bargain-Loving Brits in the Sun - (May 21st)
David Lomas Investigates - (May 21st)
WWE Raw - (May 21st)
The Fortune Hotel - (May 21st)
Rip Off Britain - (May 21st)
Money for Nothing - (May 21st)
Homes Under the Hammer - (May 21st)
Come Dine with Me- The Professionals - (May 21st)
Mt Hutt Rescue - (May 21st)
Deal or No Deal - (May 21st)
The Chase Australia - (May 21st)
The Cheap Seats - (May 21st)
The Farmer Wants a Wife - (May 21st)
The Chase - (May 21st)
The Summit - (May 21st)
The Yorkshire Auction House - (May 21st)
MILF of Norway - (May 21st)
Rhod Gilberts Growing Pains - (May 21st)
Below Deck - (May 21st)
The 11th Hour with Stephanie Ruhle - (May 21st)
Ever go to one of those all-you-can-eat buffets that has virtually every kind of food imaginable, and you go in thinking it's going to be an excellent experience, a few of the foods you sample are fairly good, but you're left afterwards with a huge bellyache and the check? That's the way I felt after watching 'Death Warmed Up', from my now-infamous Mill Creek 50-film 'Nightmare Worlds' pack--it has a few interesting ideas, and some decent, though dated, atmosphere, but director Blyth doesn't know how to put it all together. In the right hands, this could have worked, but it definitely doesn't, and that's a shame, because it had potential...'it coulda been a contender!' The two young female leads that play Sandy and Jeannie are beautiful, there's good chemistry between them and the two male leads, particularly in the scene where they're on the ferry going to the island. The completely gratuitous nudity and softcore sex was a great bonus. In an interview that was a DVD extra for 'The Fog', Jamie Lee Curtis explained that she enjoyed starting out in horror and that it was a useful genre for an actor in that it gave one a wide range of possible behaviours to both utilize and show, and, by the end, Michael and Sandy proved to me they were good actors. It's just too bad they were in a nondescript, clunky script that had no idea what it was doing or where it was going. 'Death Warmed Up' is one of those films that doesn't have a climactic finale, or end, per se, it just simply stops or dies, as if the filmmakers simply had no ideas left and simply stopped when they ran out of film. THIS is the type of film that should be remade, not the wildly successful and great film that has no need to have a different interpretation or chance at life, but the misfires or the should-have-beens--to show the world that these ideas had validity and meaning after all.
A genetic engineering experiment gone horribly awry turns a large flock of docile sheep into unrelenting killing machines.
Thick, deadly smog blankets the globe, reducing visibility to less than a few metres. In a secluded farmhouse, a woman and her overbearing husband attempt to find resources and survive using a series of walking trails crafted from ropes and stakes. One night, the woman is alerted to the presence of someone or something else deep in the smog. Desperate to escape the farmhouse, the woman attempts to meet the unknown and risk everything to leave her loveless and abusive relationship behind.
When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.
A team from the intergalactic fast food chain Crumb's Crunchy Delights descends on Earth, planning to make human flesh the newest taste sensation. After they wipe out the New Zealand town Kaihoro, the country’s Astro-Investigation and Defense Service (AIaDS) is called in to deal with the problem. Things are complicated due to Giles, an aid worker who comes to Kaihoro the same day to collect change from the residents. He is captured by the aliens, and AIaDS stages a rescue mission that quickly becomes an all-out assault on the aliens’ headquarters.
Two people meet as guinea pigs in a weekend drug trial. They soon discover their lives are in more danger than they imagined. The staff are peculiar. The drugs cause hallucinations. Or is the clinic really haunted? Struggling with their senses, they must team up to unravel a spooky mystery.
Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.
The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.
It's the 21st century, the Oil Wars have made a mess of the planet and the land outside major cities is lawless. After Hunter comes to the aid of Corlie, who has run away from the villainous Straker, he takes her to the peaceful community of Clearwater. Unfortunately for the citizens of Clearwater, Straker fully intends to get Corlie back.
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
A school teacher is forced to confront a brutal act from his past when a pair of ruthless drifters takes him and his family on a nightmare road-trip.
When a young female scientist discovers that the pharmaceutical company she works for had developed a cure for cancer years earlier, she attempts to release it to the world. Knowing that they make more money from chemotherapy drugs than the cure, the company does everything it can to stop her.