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Beat the Chasers - (May 10th)
Selena + Restaurant - (May 10th)
A Yorkshire Farm - (May 10th)
The Hotel Inspector - (May 10th)
Tonight - (May 10th)
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Eurovision Song Contest - (May 10th)
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Law and Order- Organized Crime - (May 10th)
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Greys Anatomy - (May 10th)
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I don’t get excited about documentary films very often, but “Writing With Fire” is one that I loved from start to finish. The filmmaking team of Rintu Thomas and Sushmit Ghosh have crafted an inspiring feature about the women journalists who run Khabar Lahariya, India’s only all-female news network. You likely haven’t heard of them before, but you’ll be inspired by their fearless work after watching this film. The subjects of the documentary are all incredible, strong women who have had enough. The film documents the newspaper’s evolution from print to the digital age, and their fearless reporting takes off globally with a growing YouTube counter. As chief editor Meera puts it, journalism is the essence of democracy and a vehicle for fighting for justice. She and her staff understand the huge responsibility that rests on their shoulders, and they bravely take on the corruption from the major political party, demand answers from the ineffective local police force, expose unsafe working condition of miners, bring the neglect of India’s citizens at the hands of authorities to the forefront of the conversation, relentlessly persue justice for women who are raped (unchecked sexual assault is a huge problem in their country), and refuse to be intimidated by those in power (who happen to be men). India has been declared one of the most dangerous places in the world to practice journalism, but these brave, strong, and intelligent ladies keep reporting in spite of the threats. Their fortitude is one we should all admire. “Writing With Fire” is an entertaining, engaging, well-made, and inspiring film about women making a positive difference not only in their own country, but around the globe.
I have nothing but respect for these women journalists. I give them ten stars each and collectively for their courage and determination. Having said that, for me this documentary about them falls a bit short of what it should be under the circumstances There are two reasons I say this. One is that we don’t seem to see any passion in the interviews or filming, the excitement or outrage that must have driven them in the interviews.I get it; on one level they are professionals and they want that reflected in this film. But there must have been moments when they caught fire both as women and as journalists and let it all hang out. Mustn’t there? They matter of factly state they are in danger more than once, but it doesn’t necessarily feel real without more details or anecdotes. Also, a lot of events and stories are brought up here and, except for one case where we learn that after they released the story a rapist was arrested, we don’t really get to hear any follow-up to how the stories were received and what resulted from them (well, except for the periodic updates in the cumulative number of YouTube ‘hits,’ that is). So my hat is off to these brave journalists and I appreciate the production team making this documentary about them. I just think there were some lost opportunities along the way to improve the story.
La Revuelta accounts for the tension experienced by those who, as of October 2019, came out to express their social discontent. The work has as its main stage, renamed by the people, as "Plaza de la Dignidad". It is a choral story, woven with the reflections of the protesters under the protection of the contextualization of a story in off that is unraveling the causes and effects of the outbreak. Thus, more than three years after the social demonstration, La Revuelta, is presented as a critical and contestative reflection, around the popular protest maintained by a people that took 30 years to awaken.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.
Fleeing religious persecution, resilient Jewish immigrants arrive in Toronto and begin building affordable, quality housing in a growing metropolis.
Thirty years after his film JFK, filmmaker Oliver Stone takes viewers on a journey through recently declassified evidence in the assassination of President Kennedy - the most consequential American murder mystery of the twentieth century. Joined by Oscar-winning narrators Whoopi Goldberg and Donald Sutherland, as well as a distinguished team of forensics, medical and ballistics experts, historians, and witnesses, Stone presents compelling evidence that in the Kennedy case “conspiracy theory” is now “conspiracy fact.”
Jennifer, after claiming the position of the best journalist in india sat down for a interview. During this interview she is confronted with reasons to what she owes her success which lead to giving birth to such a powerful journalist.
On the brink of social collapse, the city of Los Angeles California is full of protests in favor of immigrants and against deportations under the administration of Trump. On the border with Mexico, thousands of people try to cross every day.
Documentary to mark the WI's centenary. Lucy Worsley goes beyond the stereotypes of jam and Jerusalem to reveal the surprisingly radical side of this Great British institution.
Three strangers immersed in the world of camming come together to discuss its impact on young people. But their views are radically different. While one sees it as a respectable trade full of dedicated and liberated women, another sees it as a direct exploitation of the male libido. The third sees it as a haven for lonely people like himself to reconnect with the intimacy that’s missing from their lives. What they don’t know is that they all have one person in common – and she’s watching the conversation from the next room. Bex is a curvy cam model, and she’s witnessing their unfiltered feelings about her and the industry unfold. Filled with passionate debates, disagreements, humour and revelation, will our common people unite? Or will their revelations polarise them further?