Netanyahu at War

In 2005, Michaëlle Jean became the Governor General of Canada. A social activist, global citizen, and black woman, she would redefine the possibilities of that office. While her national priorities were at-risk youth, women, and Indigenous peoples, her international success came from her cultural diplomacy. 2010: the earthquake in Haiti tragically brings her back to her homeland. Michaëlle Jean: A Woman of Purpose is an intimate and sensitive portrait of the stateswoman she came to be.

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

In 1952 a young Egyptian colonel named Gamal Abdel Nasser led a coup that became a revolution, winning the support of millions of his countrymen. Over the next 18 years he challenged Western hegemony abroad, confronted Islamism at home, established the region’s first military authoritarian regime, and faced deep divisions among the Arabs.

Animated propaganda advocating for the importance of unregulated capitalism to the American way of life.

Documentary showing the Czechoslovakian political landscape in March 1968, when president Antonin Novotny, a hardline Stalinist, stepped down and moderate communist Ludvik Svoboda was elected. Five months later, in August 68, the Prague Spring would end with the military intervention of the Warsaw Pact.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.