El Rebelde Magnífico

Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.

A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.

On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.

Lumière's documents life in Palestine.

A short film featuring several dancers from different countries: first an Arabian dancer, then an Algerian belly dancer, and finally Scottish highlanders in kilts performing a jig. Section one is rendered in hand-color.

In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.

Women getting onto a rickshaw.

A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.

Pedestrian and various vehicles traffic on Place Bellecour, in Lyon.

Horses and their riders make their way into the compact and agitated crowd of spectators.

The main market square in the heart of Brussels.