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There certainly has been no shortage of coming of age films in recent years, and many of those have had LGBTQ+ elements as part of their storylines. And now writer-director Mariano Biasin has added to that list with his third feature offering about a teenage boy who’s become infatuated with one of his longtime pals from childhood. To complicate matters, as members of an aspiring rock band, they spend much of their time together, which leads to an ever-growing fixation for the curious young man the more he’s in his friend’s company. His feelings become further strained when his sidekick starts bragging about his growing list of female conquests, prompting quiet but powerful fits of jealously from his secret admirer and increasing tension in their long-tenured relationship. Unfortunately, other than the rock band story thread, this is far from an original narrative in the history of LGBTQ+ cinema. What’s more, the opening act is more of a jumble of rambling, seemingly unrelated images than the makings of a coherent story, almost to the point where this film would have been better titled “Cryptic” or “Vague.” Moreover, the picture places a strong emphasis on its musical numbers, most of which are admittedly decent enough, though there are quite a few of them, a fact probably attributable to the filmmaker’s experience as a director of music videos. But, when you add that to the fact that the screenplay tends to get somewhat repetitive as the story plays out, you’ve got an increasingly tedious film that leaves viewers wondering when all of this is finally going to get wrapped up. In short, “Sublime” is a work that could definitely use some retooling (and a little more imagination) to make it a more worthwhile viewing choice, especially in light of the many other better options available in both gay cinema and music videos. Choose them instead.
Sumin is an orphan trying to balance work in a factory with study at an art college and an evening job. One night, a rich young businessman makes an advance on him during one of his driving jobs.
Trump’s declarations concerning Israel and a Palestinian immigrant’s uncle’s medical diagnosis conspire to throw the latter into crisis, push him into provocative encounters, and jeopardize his relationship.
Tamiris arrives from the other side of the river, from Brazil, to meet Luci. A past and a latent present are discovered between them, trying to cover up an uncertain future
In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.
A bullied teen experiences a turning point summer in which he learns to stand up for himself.
Three couples at different parts of life navigate big turning points in their lives over the holidays.
Nick, a gay, HIV-positive architect, begins to display severe symptoms of AIDS and makes preparations to kill himself before he is unable to function normally. He arranges a party to reconnect and say goodbye to his closest friends and his confused parents. But when his ex-partner, Brandon, a television director who left Nick when he was diagnosed with HIV, shows up, what was supposed to be a celebratory event becomes much more difficult for everyone.
Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree.
Misfits in their lives back home, a group of young people live it up at musical-theater camp. While the sports counselor is completely ignored, the kids' spend all their time in rehearsal for a grueling schedule that involves a new show every two weeks. Several personal stories come to the fore.
A blind, uneducated white girl is befriended by a black man, who becomes determined to help her escape her impoverished and abusive home life.
A fictionalized account of what may have happened when John Lennon and Brian Epstein went on holiday together to Spain in 1963.
