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The Plantation of Passions, Pilfering and Poison. Machete is directed by Kurt Neumann and Neumann co-wrote the screenplay with Carroll Young. It stars Mari Blanchard, Albert Dekker, Carlos Rivas, Lee Van Cleef, Ruth Cains and Juano Hernandez. Music is by Paul Sawtell and Bert Shefter and cinematography is by Karl Struss. Set at and filmed in Aguirre, Puerto Rico, Machete is a sort of jungle noir mixed with melodramatic oddities. Plot essentially has Blanchard sticking her chest out and marrying Dekker's plantation owner purely for financial security. Upon arriving at said plantation, she quickly gets the hots for Hernandez's hard working and honest Bernardo, which puts everybody's nose out of joint, not least the scheming Miguel (Cleef). Who promptly sets about spreading the poison to feather his own nefarious laden nest. Blanchard gives her all for the femme fatale role, but everyone else is either subdued or bogged down by the silly scripting. This in turn produces some very uneven performances by the rest of the cast, which in Dekker's case is unusual. Struss' night time photography is a plus, though there's nothing particularly striking or any atmosphere enhancement going on. The fight choreography is also very poor, rendering the machete symbolism weaker than I'm sure the makers intended. As a Dekker fan I'm just pleased to have been able to see it and strike it off my "to see" list, while Blanchard's exuberant efforts always keeps it watchable. But it's a hard one to recommend with any sort of confidence. 5/10
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
“400 pétalos” (400 petals) tells the story of René and Sun, two opposites that love each other... Until René gives Sun a magical Marigold. A petal from the magical flower falls every time the couple fights. Amidst such countdown, René’s anxiety grows. He wonders if, when the Marigold runs out of petals, the relationship will meet its end.
In the slums of the upper West Side of Manhattan, New York, a gang of Polish-American teenagers called the Jets compete with a rival gang of recently immigrated Puerto Ricans, the Sharks, to "own" the neighborhood streets. Tensions are high between the gangs but two romantics, one from each gang, fall in love leading to tragedy.
A dramedy about Carla, an aspiring singer estranged from her family, who hopes to find solace by attending her father's funeral.
A generational conflict is reflected in the old-fashioned ideas of the landowner, who imposes himself as a dominant figure in the political activity of the rural communities of Puerto Rico.
Jay Hernandez (Friday Night Lights), Mario Van Peebles (Ali), Luis Guzmán (Carlito's Way) and Sean Combs (Monster's Ball) star in the gripping tale of the early years of gangster legend Carlito Brigante. Seduced by the power of the brutal New York underworld, he enters a deadly circle of greed and retribution. Assisted by his two brothers-in-crime, Carlito is on the fast track to becoming Spanish Harlem's ultimate kingpin. He quickly learns, however, that the only way to survive at the top is through loyalty to his friends and respect for the rules of the street. (FILMAFFINITY)
A family relationship drama about a strict father who wants to control his son, who in turn leaves his father's house and moves to the city.
Three stories ("Lo mismo de otra manera", "Félix", and "Te tengo una sorpresa") that delve deeply into issues such as human solidarity, infidelity, and social conflicts in contemporary Puerto Rico.
Adaptation from Enrique A. Laguerre's novel "La llamarada". It depicts the struggles of Puerto Rican peons in the sugar cane fields during the 1930's.
Teenager Carmín lives in a mountainous village in the center of Puerto Rico with her tough and conservative grandmother. Her mother left for the US without her. The arrival of her father, after long years in prison, eases Carmín’s profound sadness. The relationship with him, however, brings its own ambiguousness and complexities and as Carmín moves into womanhood this causes great confusion, mostly for her.
Juan Encarnación is a reserved jibaro with a violent past. When Pura, the woman he loves, disappears, Encarnación sets out on a path of revenge armed with his machete and his daughter, Patria, in his arms.