Isla Negra: Neruda y el mar

This uneven and uninspired documentary of Africa is a collection from various stock footage. Female dancers in mod clothes dance on the Eiffel Tower in comparison to the primitive dances of native Africans. A lone runner trains for a marathon, and a few animals are shown in their natural habitat. Commentary and modern jazz and pop music help to make this seem much longer than 66 minutes.

The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.

A poetic journey about the life and work of Puerto Rican poet Julia de Burgos.

Through dramatization and interviews with her colleagues, this film captures the life and work of famed Puerto Rican poet Mercedes Negrón Muñoz (also known as Clara Lair).

Rubén tries to describe the color blue as "The color of dreams, of art, of the ocean and of the firmament", thereby unleashing half a century of poetry.

“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

First film of Juan José Ponce’s trilogy about Federico García Lorca. Lunas de Nueva York looks back on Federico’s trip to New York in 1929, an essential journey for his life and career.

Third film of Juan José Ponce's trilogy about Federico García Lorca.

In 1244, Jelaluddin Rumi, a Sufi scholar in Konya, Turkey, met an itinerant dervish, Shams of Tabriz. A powerful friendship ensued. When Shams died, the grieving Rumi gripped a pole in his garden, and turning round it, began reciting imagistic poetry about inner life and love of God. After Rumi's death, his son founded the Mevlevi Sufi order, the whirling dervishes. Lovers of Rumi's poems comment on their power and meaning, including religious historian Huston Smith, writer Simone Fattal, poet Robery Bly, and Coleman Barks, who reworks literal translations of Rumi into poetic English. Musicians accompany Barks and Bly as they recite their versions of several of Rumi's ecstatic poems.