Robert De Niro Hiding in the Spotlight 2023 - Movies (Apr 27th)
Clockwork Orange The Prophecy 2023 - Movies (Apr 27th)
Madame Web 2024 - Movies (Apr 27th)
Mean Girls 2024 - Movies (Apr 27th)
The Fall Guy 2024 - Movies (Apr 27th)
The Doomsday Cult of Antares de la Luz 2024 - Movies (Apr 25th)
Sayen The Hunter 2024 - Movies (Apr 26th)
You Can Call Me Bill 2023 - Movies (Apr 27th)
Breaking Olympia The Phil Heath Story 2024 - Movies (Apr 26th)
Cash Out 2024 - Movies (Apr 26th)
Infested 2023 - Movies (Apr 26th)
All India Rank 2023 - Movies (Apr 26th)
Hack Your Health The Secrets of Your Gut 2024 - Movies (Apr 26th)
Humane 2024 - Movies (Apr 26th)
Possessions 2024 - Movies (Apr 25th)
Dusk for a Hitman 2023 - Movies (Apr 25th)
Love Lies Bleeding 2024 - Movies (Apr 25th)
Blood for Dust 2023 - Movies (Apr 25th)
City Hunter 2024 - Movies (Apr 25th)
Good Burger 2 2023 - Movies (Apr 25th)
Challengers 2024 - Movies (Apr 25th)
Football Focus - (Apr 27th)
Tomorrows World Today - (Apr 27th)
Tucker on X - (Apr 27th)
Blue Ridge - (Apr 27th)
WWE NXT- Level Up - (Apr 27th)
James Martins Saturday Morning - (Apr 27th)
The Complaints Bureau - (Apr 27th)
The Late Late Show - (Apr 27th)
100 Days to Indy - (Apr 27th)
The Never Ever Mets - (Apr 27th)
Casualty - (Apr 27th)
Cesar Millan- Better Human, Better Dog - (Apr 27th)
The Chase - (Apr 27th)
Penn and Teller- Fool Us - (Apr 27th)
WWE SmackDown - (Apr 27th)
Were Here - (Apr 27th)
LOL- Last One Laughing Poland - (Apr 27th)
Monsters at Work - (Apr 27th)
The UnXplained Special Presentation - (Apr 27th)
Whos Talking to Chris Wallace? - (Apr 27th)
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/sometimes-i-think-about-dying-review-sundance-2023 "Sometimes I Think About Dying tackles social anxiety and loneliness in a purposefully dull yet intriguing fashion. Lingering cinematography, atmospheric score, and a phenomenal Daisy Ridley somehow make it all work, but its uneventful, repetitive narrative won't be for everyone." Rating: B-
**By: Louisa Moore / www.ScreenZealots.com** I really love “Sometimes I Think About Dying,” director Rachel Lambert‘s low-key, melancholy character piece about a socially awkward woman who has an unmet desire for human connection. The unhurried pacing and measured storytelling may be challenging for some viewers, but this little film that seems to be about nothing is actually rooted in depth and has a keen understanding of what it feels like to suffer with crippling social awkwardness. Living in a small coastal town on the dreary Oregon coast, Fran (Daisy Ridley) spends much of her time alone and often daydreams about dying. She works at a drab office and quietly observes her more outgoing coworkers as they chat with each other and go about their daily routines. She describes herself as “not very interesting,” is quiet and reserved, isn’t very sociable, has no friends, and mostly keeps to herself. This shyness is often mistaken for aloofness, and most everyone steers clear of any interactions with her. Things change when the friendly and slightly awkward Robert (Dave Merheje) starts a job at the company, and he takes an interest in Fran. She’s afraid to give friendship a chance, but there’s something different about him that may just make Robert the first person whom she allows to really get to know her. There isn’t a whole lot of plot, but Lambert manages to keep her film compelling. Her storytelling style is highly detailed, which gives a warmth to the bleak tone. Nothing feels forced. Lambert paints a dreary portrait of humanity, but does so with wit, style, charm, and humor. There’s so much subtlety in what’s left unspoken, and the film shows us Fran’s professional and personal life, but never tells us what to feel. The film is well cast from top to bottom, including Parvesh Cheena, Marcia DeBonis, and Megan Stalter, who add a lot of amusement as Fran’s office mates, and Merheje and Ridley feel charmingly authentic. Right down to her body language, from avoiding eye contact to a slouched posture when her character is feeling uncomfortable, Ridley wholly embodies what it must feel like to be Fran. It’s a skilled, effective performance, and one with few spoken words. It may sound like a hard sell to sit through a movie that’s focused on a lead character who suffers from severe social anxiety, but “Sometimes I Think About Dying” is a good, simple story that’s told well. It’s a captivating film that gracefully expresses the need for human connection while being unable to rid yourself of debilitating melancholia.
the best performance of daisy ridley, hands down. however, the movie's premise was obviously more suitable for a short movie and it lacked energy at some scenes. i still enjoyed it and i loved how well shot it was, the scenery was extremely beautiful.
"Fran" (Daisy Ridley) likes to keep herself to herself. She's very much on the periphery of things at work and goes home to her favourite cottage cheese and bed by 10.15 most evenings. The arrival of "Robert" (Dave Merheje) shakes things up a little when his request for some office provisions leads to a trip to the cinema to see "Departure" (2015). Though it could never be described as racy, what now ensues watches the two get a little close and a better acquainted. She reveals to him that as she looks from her cubicle window at the huge cranes loading and unloading the ships, she imagines herself swinging from one of them - and not in the way a child might! A chance meeting with the recently retired "Carol" (Marcia DeBonis) in a diner might help "Fran" recalibrate her priorities though! This is a far cry from anything Ridley has done thus far, and shows her as an actor of considerable versatility. The writing works quite well here, too. Sparingly used between the main characters but more plentifully used to illustrate the banal nature of her life at work - especially with boss "Isobel" (Megan Stalter) who has verbal diarrhoea in just about every way you can imagine. The story takes quite an interesting look at those (slightly) later in life who are in a rut and content to remain so but I'm afraid this whole scenario doesn't really make for gripping cinema. Indeed, at times the director seems content to leave us with only the superficial glimpse of the characters and together with the bleak and dull nature of the lighting, creates an ennui all of it's own. It's not so much that nothing really happens, it's that I wasn't really bothered either way if it did or didn't. The whole thing is all just a bit too lacklustre. It's fine, this film, but not much more.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate businessman seeks revenge on his captors.
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
A stop motion film about an oddball felted character who slips through floors into the past and the deepest parts of his psyche in his pursuit of self-understanding.
In the tranquil setting of a small fishing community on the east coast of Zanzibar, a fire is raging in the hearts of three young individuals—and the entire community feels the heat. Amri is a man trapped between his desire for a local fisherman and the traditional family-man role that he is expected to fulfill.
Five socialites are put to the test when their recently-deceased friend asks them to commit the ultimate taboo in order to inherit his fortune.
Two Taiwanese girls fly back to their hometown Taipei for an annual family visit. The trip starts out joyful with the embrace of family love; however it becomes unbearable when a disturbing truth is uncovered.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.