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This film should have been more than it was. The premise is great, the atmosphere is spot-on, the costumes and make-up are menacing and the characters are pretty decent. This menace is somehow lost, however, at some point during the overblown final plot-arc, which is a major shame because it really looks stunning and builds up some satisfying apprehension. I cannot give it less than three stars, but only because I absolutely love this sort of thing, having grown up with Wolfenstein and Doom to take me to the early hours. One day somebody will nail this idea and unleash true grim krieg.
Down in an abandoned bunker in Eastern Europe... "SPOILERS" Outpost is the feature length directing debut of Steve Barker, it's written by Rae Brunton and is produced by Arabella Croft & Kieran Parker; who financed the film themselves by mortgaging their own Glasgow home. Starring are Ray Stevenson, Julian Wadham, Richard Brake & Michael Smiley. The plot sees scientist and businessman Hunt (Wadham) hire a mercenary crack team headed by DC (Stevenson) to protect him on a perilous mission into Eastern Europe. There they are to locate an abandoned bunker in no-man's land and seemingly gather information to aid Hunt's research. However, once at the outpost, the men make a horrific discovery - one that is only the start of the terror to come. Lets get the blatantly obvious negatives out the way first, the kind that pithy critics enjoy beating an independent film with. Outpost is not fresh, certainly not in story, setting and god forbid -- logic. Channeling (by the makers own admission) John Carpenter's spooky 1980 movie The Fog - with more than a nod towards Michael Mann's The Keep & Ken Wiederhorn's Almost Human - Outpost does, from the off, have a familiar ring to it. Yet Barker's movie can stand on its own two ghostly feet on account of it having heavy atmosphere that's nicely blended with no short supply of the grisly. This is not about cheap shocks, though. Barker slow burns the first half hour and then steadily turns up the heat as the secrets of the "Outpost" start to unravel, with the sense of dread that accompanies said unravelling palpable in the extreme. Away from the rewarding creepy vibe that dominates the piece, the technical aspects also stand up considerably well. Barker's directing is unobtrusive and aware of its genre roots, with a cartoon/animation section deftly effective, while Brunton's screenplay is lean and lets the characters breath. That it has commentary on the barbaric nature of the Nazis and slots in a Die Glocke for its core, also, should not be understated, war is hell is as apt a saying here, as apt can be. Note worthy on the war is hell theme is that here the makers are saying war is always and everywhere, not only is the film set with one foot in a historic war and the other in a "today" war, but each of the mercenaries represent a soldier from a different war-zone around the world. With the wooded valley of Dalbeattie near Castle Douglas in Scotland standing in for Eastern Europe, Gavin Struthers does wonders on photography. Smartly stripping the colours down to a near monochrome finish that lends weight to the historical context of the story, he also makes the interiors claustrophobic and captures rich detail for the exteriors. The score from James Seymour Brett is one of the better ones for a low-fi British horror, suitably pulse like, and the acting is no-nonsense and befitting the characters within. With a no cop out and suitably bleak ending, Outpost isn't after the popcorn crowd. It may be heavily influenced by past down in the woods army like shockers, but it sure as hell shows the likes of Rob Green's awful 2001 movie, The Bunker, how it should be done. 7/10
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Batman must battle a disfigured district attorney and a disgruntled former employee with help from an amorous psychologist and a young circus acrobat.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
Liberty, Bash, and their friend Jesse served together in a war in Central America. Now Liberty and Bash work with youths, helping them stay out of crime and becoming a positive part of the community. But Jesse has gotten mixed up with drug lords, and when he turns up dead, it's up to Liberty & Bash to declare another war, this time on the home front. Written by Sean Kilby
An all-expenses-paid international search for a rare copy of the book 'The Nine Gates of the Kingdom of Shadows' brings an unscrupulous book dealer deep into a world of murder, double-dealing and Satanic worship.
Harry Angel, a down-and-out Brooklyn detective, is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.