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_Girls of the Road_ is a really poor knockoff of William Wellman's _Wild Boys of the_ _Road_. The movie showcases female bonding a la _Thelma and Louise_, and exploits the theme of "bad girls" to the max. The time frame for this movie isn't really specific, since the vehicles in the movie are clearly 1940s vintage, but the plot revolves around a group of women hoboing across the country. One of them is the governor's daughter, who sets out to learn the reasons that these women are homeless and transient. Her goal is to provide her father with enough first-hand information so that he can author legislation and policies to end the womens' plight. As she becomes a trusted member of this group, she learns each woman's back-story. She has ongoing conflict with the self-appointed leader of the group - a woman who is essentially a sociopath who committed murder and uses threats of violence to keep the girls in line. The climax comes when the governor's daughter forces the group to choose between living like feral animals or reclaiming their dignity as human beings. Of course, they choose the latter, turning against the criminal and isolating her. The governor's daughter convinces her father to build a shelter for the women and others like them. The script stretches credulity to the breaking point, and the characterizations are weak. A great example is that Ann Dvorak (the governor's daughter) takes a Samsonite suitcase filled with clothing, accessories and money with her, and manages to hang onto it throughout most of the journey. None of the women have drug or alcohol problems, something that has always been a problem among the transient population. And with the exception of the murderess, the only crime any of the women were ever picked up for was vagrancy; in real life, women who lived a transient lifestyle often earned eating money through prostitution or fencing stolen goods. _Girls of the Road_ is a meager attempt on the part of Columbia Pictures to make "message" movies on a small budget. It's watchable, but not notable.
Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind.
The struggle to survive, for a generation, torn between wanting to leave its country, yet bound by blood to home.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, he is forced to flee into the mountains and wage an escalating one-man war against his pursuers.
A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..
A man who has a body almost completely covered in tattoos is searching for the woman who cursed him with the "skin illustrations". Each tattoo reveals a bizarre story, which is experienced by staring at the scene depicted. When the illustrated man meets a fellow tramp on the road a strange voyage begins.
Old Mr. Cohen (Paul Graetz) simply walks away from his London department store, leaving his sons to run it.
After saving a tramp from suicide, a millionaire takes his clothing and disappears. Word is out that he will give a million dollars to anyone who is kind to a tramp.
The fates of two people align as a beggar tries to steal money from a sleeping newspaper boy. Instead of reporting the crook to the police, the benevolent boy buys him a hearty meal, convinces him to give up drinking and helps him back onto the right path in life. Soon enough the beggar has a job, money and a roof over his head. The two friends face a bright future together. (stumfilm.dk)
An isolated house is too remote for a lone servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Left alone in the house is a mother and her infant. A tramp has watched the servant leave and begins to skulk. When the lady of the house sees him outside as he discovers the key, she's terrified and desperately phones her husband, who's at work in town. He jumps into a car that's idling in front of his office and races toward home, the car's owner, and police, in hot pursuit.