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LOL- Last One Laughing Poland - (Apr 27th)
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The UnXplained Special Presentation - (Apr 27th)
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The Five - (Apr 27th)
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This is one of those films that leaves me with decidedly mixed feelings. It’s definitely a showcase for writer-director Savanah Leaf, whose considerable artistic sensibilities are clearly apparent in her first feature outing. The same can be said for lead actress Tia Nomore, making her screen debut in a genuinely moving performance. Unfortunately, the vehicle in which their talents are being put to use could stand to be better. This story of the bureaucratic turmoil faced by a single mother in recovery who’s pregnant with her third child (and her first two in foster care) sincerely seeks to evoke viewer empathy for the circumstances she’s enduring. At the same time, though, the story also raises many questions about responsibility (or a lack thereof), an admittedly honest depiction of conditions that are often present in these scenarios that, nevertheless, tends to undercut the pursuit of that aforementioned goal, leaving viewers (like yours truly) confused about what to truly feel. Add to that a somewhat thin narrative that feels padded to fill out the runtime, and one has a picture that comes up short of its objective, despite the efforts of a fine ensemble cast and engaging cinematography. This production’s National Board of Review accolades and Independent Spirit Award nominations aside, Leaf and Nomore genuinely deserve better material to show audiences what they’re capable of. Regrettably, however, this isn’t it.
Tia Nomore delivers strongly here in this otherwise rather unremarkable drama about "Gia". She's a woman expecting her third child in San Francisco, with the other two already in the care system and she seems to be thinking this latest one will be adopted. We have no idea where the child's father is - indeed, men don't feature much at all in this film - so we are quickly immersed in her sense of isolation and loneliness from the start. It's not an emotionally charged, woe-is-me, sort of loneliness - it's more of a realisation that she wants to be on her own, thrives better on her own, won't get let down on her own. The thrust of the narrative now attempts to confront that approach and demonstrate to her that there are plenty amongst her community who could be there to help, to engage and to integrate with. It's a nicely photographed film with camerawork that provides us with an intimate glimpse into this troubled woman's life, but the story is really nothing new and the storyline emphasises all too clearly the difficulties of trying to have a child whilst reliant on over-stretched state infrastructure without addressing any of her own social and behavioural responsibilities to herself and unborn child. Indeed, she comes across frequently as a rather selfish, almost, childish herself, kind of character who thinks nothing of walking through the park stealing nappies from other recent mothers! It has moments that are poignant, and it does look good - but it's way too simplistic and just a little one-sided for me. I expect to see more of Nomore though.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
A group of strangers find friendship, family and love within an Italian beginners’ course.
A touching story of a deaf girl who is sent to an oil rig to take care of a man who has been blinded in a terrible accident. The girl has a special ability to communicate with the men on board and especially with her patient as they share intimate moments together that will change their lives forever.
Ping has come from Penang in the north to Kuala Lumpur to work with her aunt. There she meets John, a young man who keeps trying to approach her. Ping feels increasingly attracted to John, and although she has a boyfriend in Penang she is drawn more and more into his world. Ping loses herself in her love and does all she can to keep John.
Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival
Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. Thirty years later, in another country, another couple: Ariane leaves her husband David because she no longer loves him. The paths they both take lead them to Kenneth and Theres.
Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.
Lacey is a girl of about ten. On a lazy day, she watches some TV, rides her bike in front of her house, then explores a field across from her front door. A shirtless man pets her dog. She goes up to him and he bends close to take a bug off her shoulder and hand it to her. Is this an innocent or a dangerous world? Is Lacey in trouble?
Columbus' 4th voyage has been a total failure: he has not found the westward passage, he has no gold to show, he has lost men and ships and his efforts to build a colony have fallen through. The monarchs of Spain are not going to restore the rights and privileges which were taken away from Columbus after the first voyage. And Columbus will be shamed. Many of his sailors who have survived, can't face the journey home. They will choose to remain on Hispaniola or neighbouring Puerto Rico.
Camille, a mercurial César-winning actress, has seen better times. Estranged from her husband, she's with her children only every other weekend. It's her weekend, but her agent has booked her to MC a Rotary club dinner in Vichy. She takes them with her, and when her husband learns this, he demands to pick them up at once. She bolts in a rented car to the seaside, trying to improve her relations with the children, especially the precocious and distant Vincent. He loves astronomy. A rare meteor shower is due in a few days, so she suggests they go to a plateau in Spain hoping to see it. He agrees, but the relationship remains difficult, and her husband is on their trail.