Valie Export

Profile

Valie Export, born Waltraud Lehner, is an Austrian artist. Her artistic work includes video installations, body performances, expanded cinema, computer animations, photography, sculptures and publications covering contemporary arts. Born : 17th-May-1940

Movie Credits

Home Movies 1971-81

Home movies shot on Super 8mm by W+B Hein over 10 years.
Released : 1st-Jan-1985

The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde

In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.
Released : 14th-Nov-1984

Tapp and Tastkino

The film is ‘shown’ in the dark. But the cinema has shrunk somewhat – only two hands fit inside it. To see (i.e. feel, touch) the film, the viewer (user) has to stretch his hands through the entrance to the cinema. Tap and Touch Cinema is an example of how re-interpretation can activate the public. Extract fom the documentary "Wiener Underground"
Released : 12th-Sep-1969

Man & Woman & Animal

Man & Woman & Animal shows a woman finding pleasure in herself, the whole film is a kind of assertion and affirmation of female sexuality and its independence from male values and pleasures... (Joana Kiernan)
Released : 7th-Sep-1973

...Remote..... Remote....

With sometimes painful directness, Valie Export conducts a psychological investigation of the body in this film performance, externalizes an internal state. In front of a police photo showing two children who were sexually abused by their parents, she tortuously cuts into her cuticles until blood drips into a bowl of milk on her lap. On top of the symbolic plane of blood and milk, the physical effect on the viewer of her destructive act of self-mutilation is extreme.
Released : 7th-Sep-1973

Adjunct Dislocations

“This film deals with exploring one´s surroundings by means of the body, and the exploration of the surrounding body. Not only is something shown in this film, showing itself is shown, not only is something portrayed, portrayal itself is portrayed. A sense of space is created in a way possible only with film: seeing oneself from the front and back simultaneously, from above and below, and from outside in the center of the space. The film combines opposite parts of the space, which form the body´s imperceptible time-space continuum. Space is carried along, just like the camera.” – VALIE EXPORT
Released : 7th-Sep-1973

Valie Export - Icon and Rebel

She is the godmother of performance art. With her shocking public actions she created in the late 60s images that have burned into the general visual memory until today. The life and work of the Austrian artist Valie Export exemplify a development in art history in which women sought and found new ways and means of expression. Her work provides a feminist counterpart to the Viennese actionism of her time, which has influenced numerous artists of subsequent generations. The innovative diversity of her artistic approaches makes Valie Export an icon of 20th century art history.
Released : 18th-May-2015

Birth of a Nation

Filmmaker Jonas Mekas films 160 underground film people over four decades.
Released : 6th-Aug-1997

Hernals

In Hernals documentary and pseudo-documentary procedures were filmed simultaneously by two cameras from different viewpoints. The material was then divided into phases of movement. In the montage each phase was doubled. The techniques used in this process vary. Also the sound was doubled, again using different techniques. Two realities, differently perceived according to the conditions of this film, were edited into one synthetic reality, where everything is repeated. This doubling up destroys the postulate: identity of copy and image.
Released : 31st-Dec-1967

The Total Family

Baron Childerich III of Bartenbruch considers himself to be a descendant of the Merovingian dynasty and he has drawn up a chart of marriages and adoptions which show that he is his own father, grandfather, father-in-law, and son-in-law. He aims at achieving the "total family" based on one man. He persuades his french relative, Pippin, to help him. But the latter lets him down and breaks up the family... Among those who belong to the (surrounding) world of the Baron are Dr. Döblinger, a writer, who has formed a band of muggers and Professor Horn, a psychiatrist, who quiets his patients by leading them on nose rings and beating them up... Family satire with numerous personal and literary allusions based on the novel of the Austrian writer, Heimito von Doderer.
Released : 16th-Oct-1981

ViennaFilm 1896-1976

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer
Released : 1st-Jan-1977

The Sweet Number - An Experience of Consumption

The subtitle of this merry performance is "An Action Text", indicating that the artist's introduction for the vaudeville number was an inflammatory impetus. Export provides precise instructions for the use of a wrapped box of chocolate-covered candy produced by the renowned Viennese company Hofbauer. However, she has not made an advertisement for them and their presentation, but instead, she extols the packqge and confection as a work of art. Severe degradation of the surviving tape further blurs our perceptions.
Released : 1st-Jan-1969

Anagrammatical Composition with Dice by VALIE EXPORT (after W.A. Mozart, Piano) for Soprano Saxophone

The starting point for this film is an eighteenth-century musical dice game attributed to Wolfgang Amadeus Mozart. A sequence of short, precomposed musical options are randomly selected through rolling dice and following a table of rules; these sequences are then patched together to create a new composition. Here we see one possible result of this chance procedure.
Released : 5th-Oct-2010

Seeing-Space and Hearing-Space - Original length/linear cut

Space Seeing - Space Hearing uses sound and image editing, as well as split-screen effects, to create a performance from a motionless body. The work comprises six distinct sections that create a rhapsody of sound and image. The original full-length/linear film cut of the performance. Later edited into a different six minute work of the same name (released in 1980).
Released : 10th-Apr-1974

Seeing-Space and Hearing-Space

A work on the perception of space, where a video of a motionless figure in a room correlates four different camera positions with four different synthesized tones. We see the inert artist and how she calmly faces the cameras head-on. Six minute version.
Released : 1st-Jan-1980

Valie Export: Portrait of a Filmmaker

Katja Raganelli’s sole excursion into the realm of avant-garde cinema was this focus on Austrian experimental film axiom Valie Export. This portrayal of the filmmaker is quite special as it presents Export at a very particular moment in her career, during the shooting of a fiction feature, Menschenfrauen (1980), with which she was able to break into the avant-garde mainstream, shedding the skin of her path-breaking, often performance-based early works.
Released : 31st-Dec-1981

Profile

Valie Export

Movie Credits

Home Movies 1971-81

Home movies shot on Super 8mm by W+B Hein over 10 years.Released : 1st-Jan-1985

The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde

Tapp and Tastkino

Man & Woman & Animal

Man & Woman & Animal shows a woman finding pleasure in herself, the whole film is a kind of assertion and affirmation of female sexuality and its independence from male values and pleasures... (Joana Kiernan)Released : 7th-Sep-1973

...Remote..... Remote....

Adjunct Dislocations

Valie Export - Icon and Rebel

Birth of a Nation

Filmmaker Jonas Mekas films 160 underground film people over four decades.Released : 6th-Aug-1997

Hernals

The Total Family

ViennaFilm 1896-1976

The Sweet Number - An Experience of Consumption

Anagrammatical Composition with Dice by VALIE EXPORT (after W.A. Mozart, Piano) for Soprano Saxophone

Seeing-Space and Hearing-Space - Original length/linear cut

Seeing-Space and Hearing-Space

A work on the perception of space, where a video of a motionless figure in a room correlates four different camera positions with four different synthesized tones. We see the inert artist and how she calmly faces the cameras head-on. Six minute version.Released : 1st-Jan-1980

Valie Export: Portrait of a Filmmaker

TV Credits

aspekte

Self - Released : 17th-Oct-1965

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Home movies shot on Super 8mm by W+B Hein over 10 years.
Released : 1st-Jan-1985

Man & Woman & Animal shows a woman finding pleasure in herself, the whole film is a kind of assertion and affirmation of female sexuality and its independence from male values and pleasures... (Joana Kiernan)
Released : 7th-Sep-1973

Filmmaker Jonas Mekas films 160 underground film people over four decades.
Released : 6th-Aug-1997

A work on the perception of space, where a video of a motionless figure in a room correlates four different camera positions with four different synthesized tones. We see the inert artist and how she calmly faces the cameras head-on. Six minute version.
Released : 1st-Jan-1980

Self -
Released : 17th-Oct-1965

You can get all the very release news and updates direct from our Telegram group.
Our Twitter and Facebook pages are no longer supported.