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Josefina Díaz

Una de las grandes damas del teatro, en el primero tercio del siglo XX, coetánea de Margarita Xirgu y Rosario Pino. Hija de los actores Concepción González y Manuel Díaz de la Haza y hermana del actor Manuel Díaz González. Se formó en la Compañía de María Guerrero y Fernando Díaz de Mendoza, con la que estrena entre otras La dama de armiño (1922), deLuis Fernández Ardavín y El abanico de Lady Windermere(1920), de Oscar Wilde. Comenzó a destacar a partir de 1924, cuando estrenó Lecciones de buen amor, de Jacinto Benavente e interpretó El genio alegre de los Hermanos Álvarez Quintero. Un año más tarde, estos autores confiaron en ella para el estreno de La boda de Quinita Flores. Formó compañía propia con su marido, Santiago Artigas, y estrenó, entre otras, obras de Eduardo Marquina (Fruto bendito, 1927), o de Manuel y Antonio Machado (Juan de Mañara, 1927), así como obras de autores extranjeros, como Casa de Muñecas (1929), de Ibsen y Atrévete, Susana (1929), de Ladislas Fodor. Iniciada la década de 1930, se une profesionalmente a Manuel Collado, destacando por encima de cualquier otra interpretación, el estreno de Bodas de sangre, de Federico García Lorca, en el que también participó Amelia de la Torre. Se puede mencionar también los estrenos de Nuestra Natacha(1935) y Prohibido suicidarse en primavera (1937), ambas de Alejandro Casona. Al inicio de la Guerra civil española, se traslada a Sudamérica, dónde realiza una gira que se prolonga hasta 1939. Todavía en América, en 1951 fue designada profesora de la Escuela de Arte Dramático de Montevideo, tarea en la que permaneció hasta 1954. De regreso a España, a instancias de José Tamayo estrena en el país La muerte de un viajante(1952), de Arthur Miller y posteriormente continuó actuando de manera esporádica hasta la década de 1970 con obras como El jardín de los cerezos (1960), de Chejov, con dirección de José Luis Alonso, La calumnia (1961), de Lillian Hellman, Carmelo (1964), de Juan José Alonso Millán oLigazón (1966), de Valle-Inclán. Su paso por el cine es efímero, y se reduce a pocos títulos, destacando: Un bandido en la sierra(1927), de Eusebio Fernández Ardavín, junto a Santiago Artigas, Manuel Dicenta y Emilio Mesejo;Un trono para Cristy (1960), de Luis César Amadori; La prima Angélica (1974) y Cría cuervos(1976), ambas de Carlos Saura. Born : 1st-Jan-1891

Movie Credits

Cria!

Ana, an eight-year-old girl living in Madrid with her grandmother and two sisters, mourns the death of her mother.
Released : 3rd-Jun-1976

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Cousin Angelica

When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present.
Released : 28th-Apr-1974

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The Mountain Bandit


Released : 17th-Feb-1927

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Becquer's Great Love

The alleged uncontrolled romance between a young girl forced to marry another and the poet Gustavo Adolfo Bécquer.
Released : 1st-Jan-1946

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Rosa de América

The life of Saint Rosa de Lima.
Released : 16th-May-1946

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Family Portrait

Cecilio Rubes, a businessman engaged in the manufacture of baths and toilets, tries to remain neutral in the imminent Spanish civil war. But the attitude of Cécil, his only child, a spoiled boy who grows without respect their parents, will forced him to face the cruel reality of the facts. Jumping back and forth in time, we are shown his present and his past through his wife Adela and Paulina, the mistress of father and son.
Released : 17th-Sep-1976

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Ventolera

Cristina, a beautiful woman, lives in love with her husband Manuel, who believes the most handsome, charming and, above all, the best husband in the world. Unexpectedly, Manuel dies and, thereafter, Cristina not live but to idealize her husband, going so far as to pay a reasonable service. Until a jilted suitor puts aware of the true personality of her husband. Cristina's reaction was swift, gets a 'gale' and women becomes more attractive and desired of Sevilla.
Released : 5th-Mar-1962

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Don't Tell Me Goodbye

An Argentinian and a Brazilian fall in love and at the same time, their couples do the same thing between them.
Released : 10th-Oct-1950

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Milagro de amor

Margarita, the nun of a cloistered convent in charge of handling the lathe, this is a rotating mechanism provided with a small window through which she delivered and received things from the outside without direct visual contact, she is seduced by a Don Juan and induced to escape with him .
Released : 12th-Dec-1946

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