Profile

Carlos Castillo

Carlos Castillo is, along with Diego Rísquez, one of the most important figures in Venezuelan avant-garde Super-8 cinema. Born : Unknown

Movie Credits

Bolívar, a Tropical Symphony

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.
Released : 1st-Jan-1979

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Orinoko, New World

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.
Released : 14th-Sep-1984

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Cinématon XXI

Reel 21 of Gérard Courant’s on-going Cinematon series.
Released : 23rd-May-1982

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Tierna es la Noche

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a negro. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.
Released : 27th-Jul-1990

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